With the compelling, largely free-blowing 1971 session He Who Lives In Many Places (GMMC Records) finally issued on CD in 2006, Water Garden rights a similar wrong for Terry Plumeri, an overlooked bassist if ever there was one. Recorded five years later, Water Garden was an even more ambitious date that brought back guitarist John Abercrombie and percussionist Michael Smith, but also features enlists Ralph Towner and, in one of his earliest date, pianist Marc Copland.
There's no shortage of jazz bassists possessing distinctive voices with a bow. Few, however, have made Arco (the fine art of bowing the double-bass) their primary focus, with the exception of Terry Plumeri. Plumeri's never achieved his due in the jazz world, to some extent due to his parallel work in other spheres--scoring for film, classical composition and interpreting the music of iconic composers like Tchaikovsky. Blue in Green (GMMC, 2005), featuring pianist David Goldblatt and drummer Joe La Barbera, ...read more
Bassist Terry Plumeri wears several hats and wears them well. He has scored films, written his own symphonic tone poems, conducted symphonic orchestras all over the world and worked with some of the top names in jazz.
Chapter Index Conducting and Tchaikovsky Tone Poems Film Scores Jazz
Conducting and Tchaikovsky
All About Jazz: You have an affiliation of over a decade as a conductor of the Moscow Philharmonic. How did this partnership initially come ...read more
Noted composer of film music, orchestral conductor and bassist extraordinaire Terry Plumeri made his debut as a jazz artist in 1971 with the now landmark release He Who Lives in Many Places. Newly re-mastered and re-issued, the ground breaking session from the fusion-era features an all-star cast consisting of pianist Herbie Hancock, guitarist John Abercrombie, drummer Michael Smith and percussionist Eric Gravatt.
The disc's five tracks, all composed by Plumeri, are open-ended in nature, allowing for spontaneous group invention. Beneath ...read more
The sound that comes from the speakers is immediately arresting. It is a groan, or a whine, or maybe a croon. It shifts and slides from position to position, defying your efforts to pin it down. Now deep and sonorous, now thin and electric as feedback, Terry Plumeri's bowed bass work is endlessly compelling. Pair it with musicians the caliber of David Goldenblatt (piano) and the great Joe La Barbera (drums) on a choice selection of standards and the effect ...read more