The piano trio is the supreme discipline in jazz. Through rich possibilities, it functions as a strong filter sifting out those few who were and are able to set new standards. What matters is how the three instrumental vertices relate to each other dynamically, harmonically and soundwise to build something coherent, in close dependency. Eventually, each shift at one vertex inevitably triggers shifts by the other two. New York pianist Sylvie Courvoisier, not excessively jazz affined in her ...read more
Pianist Sylvie Courvoisier and violinist Mark Feldman are a dynamic duo within the neoteric strategies of modern jazz, coupled with their substantial artistic output. They intersperse classical inferences with shades of folk, avant-garde schemas, and bristling improvisational segments into the big picture. This incarnation of the quartet now features upper-echelon session bassist Scott Colley and venerable drummer Billy Mintz. Essentially, the artists enrich the avant-classical genre by cultivating an undertow framed on swing, bop and concise opuses tinted with the ...read more
Hotel Du Nord is shot through with heightened sensitivity. In the wake of To Fly To Steal (Intakt, 2010), the group did a series of European tours and this experience of playing together has resulted in heightened musical understanding. The quartet's musical currency--with the original lineup intact--is as informed by Twentieth Century chamber music as it is by creative improvised music, which means their work is about deft strokes as much as rhetorical flourishes. Pianist Sylvie Courvoisier's ...read more
Mark Feldman & Sylvie Courvoisier Oblivia Tzadik 2010 Sylvie Courvoisier--Mark Fledman Quartet To Fly to Steal Intakt 2010 The composer Olivier Messiaen might seem an odd vista from which to triangulate upon the spousal and musical partnership of violinist Mark Feldman and pianist Sylvie Courvoisier, but at least from the vantage of their recent ...read more
Between the membership of this quartet (Mark Feldman, Sylvie Courvoisier, Thomas Morgan, and Gerry Hemingway) embodies the twenty-first century improvising musician. All four members have recorded before and in a variety of situations of wide diversity. They bring all of the experience this implies to a program that stakes out its own territory, and from start to end, has set out a potent collective manifesto.
Drummer Gerry Hemingway has worked with Anthony Braxton's quartet in the past and it's clear ...read more
Violinist Mark Feldman and his wife, pianist Sylvie Courvoisier eloquently morph restraint, depth and a contemporary classical touch into the progressive-jazz idiom on this 2010 release. Respectively, the musicians are ceaselessly engaged within the new music style of jazz and improvisation, having recorded for several record labels, spanning several years. No doubt, the duo's venerable artistic propensities unravel in resplendent fashion on To Fly To Steal.
The quartet manifests a self-identity during these emotively imbued works, designed with ...read more
The improvisational intersection of American and European music exemplified in the recording Every So Often finds common ground without much trouble when the improvisers are Ellery Eskelin and Sylvie Courvoisier.
This hour of sonically stellar studio recordings never lacks for innovation nor repeats ideas. Saxophonist Eskelin, a jazz maverick is probably best known for his trio work with drummer Jim Black and accordion player Andrea Parkins, with their 'rock the Sun Ra casbah' music. His jazz roots are ...read more
On the face of it, Alien Huddle may seem like another notch on the belt for three well-seasoned veterans of experimental improvised music--each with her own language, capturing their collaboration and conversation in the studio, rather than in a club. Yet the experience of listening to this album proves that the meeting of these three musicians is more than chance, more than a mere session: it is a combination that works exceedingly well, an alchemic formula that smelts gold out ...read more