Renowned Cecil Taylor trio alumni, alto saxophonist Jimmy Lyons and drummer Sunny Murray reunited in Switzerland and summoned young bass wunderkind John Lindberg for a tour de force captured live at Jazz Festival Willisau in August, 1980. Reissued and remastered, this release highlights the band's unbridled energy and resounding clarity, abetted by the crystalline audio. It sounds like it's fresh out of the box, featuring Lyons operating in tenth gear with his radical free-bop stylizations, paving the way for future expansionism. Lyons' untimely passing in 1986 at the age of 55 left a cavernous hole in progressive jazz. ...read more
[Editor's Note: From a work-in-progress, Going Outside: A Memoir of Free Jazz and the Sixties][Author's Note: Sunny Murray is widely regarded as the preeminent drummer of the free jazz movement. The Jeanne" mentioned below was Jeanne Phillips. Although there were, to be sure, significant differences--she was black, she worked a forty hour-a-week civil service job and her one bedroom flat on West 10th Street in New York City was no showplace--Jeanne, who was astonishingly astute on matters musical, played very much the mother-figure role for the free jazz musicians that the Baroness Nica de Koenigswarter ...read more
Sunny Murray Trio The Vortex London, England September 1, 2009
Two nights in north London with free-jazz drum pioneer Sunny Murray's European Trio was a prospect to set the pulse racing. That expectancy was widely shared, it appeared, as there was standing room only even on the second evening. Murray first found a way to shift beyond his bebop roots to pit a shimmering rhythmic undertow against Cecil Taylor's new thing in 1959, beginning a six-year tenure with the iconoclastic pianist, immortalized on the classic trio date Live at the Cafe Montmartre ...read more
The digital download-only Ode To Albert Ayler captures gifted Irish guitarist Mark O'Leary improvising with free-jazz and former Albert Ayler and Cecil Taylor drummer Sunny Murray during a 2002 studio session. Here, O'Leary delves into free-form jazz shaded music at the onset of his recording career, prior to his extensive recording projects for Leo Records and other European record labels.
O'Leary gels into various frenzies amid Murray's textural drumming, where the artists perform within the spirit of Ayler's power-packed onslaughts. Throughout these largely, high-impact duets, Murray initiates a swarming rhythmic path by smothering his drum kit ...read more
Sunny Murray Big Chief Eremite Records 2009
American jazzmen have long called Paris something of a second home, due to a perceived promise of more work and cultural acceptance. The lineage in this music can be traced to artists like reed player Sidney Bechet, who called the city home from 1949 until his death and was an early notable" jazz expatriate. If one could say anything like an exodus occurred, it might have started sometime in the 1950s and lasted through the 1970s--Bud Powell, Kenny Clarke, Art Taylor, Chris Woods, Steve Lacy, ...read more
Sunny Murray illuminates jazz drumming. His open meters and timing set rhythm and pulse on a new and invigorating course. In doing so, he gave jazz drumming a dynamism and drive that still resonates.
In the early days of his career, Murray played with Jackie McLean, Cecil Taylor and Albert Ayler. This gave him the opportunity to open out and transcend the ordinary, a trait that is seen to advantage on this record which was first released in 1966.
The music is intense, but it is also passionate. Phase 18.104.22.168" rises from the eddying pools churned ...read more
Released under the titular leadership of drummer Sunny Murray, The Gearbox Explodes! features the same line-up as Home Cooking In The UK (Foghorn Records, 2004), and is in practice another exercise in collective music making of the purest and least hierarchical kind. Murray's leadership is confined to establishing an opening tempo and beat for each of the three tracks, and, later, bringing them to a close.
Music so wholly unpremeditated and in-the-moment as this requires listening musicianship of the highest degree, and courage on the part of its creators. The analogy has probably been used before, ...read more