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CD/LP/TRACK REVIEW

Stich Wynston's Modern Surfaces: Transparent Horizons

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The intro emerges as heavy bowed bass--buzzy, ominous, sustained. Suddenly there's a thunderstorm, rock drumming, electric guitar, and tenor saxophone. A synthesizer (seldom-used here) wails, but less than the guitar and saxophone, then makes bell sounds and more while the bass goes thudding and bells like a stag before things devolve into the slower, quieter space of the original mood.

Thus develops Stich Wynston's “Outward Bound." “I Think This Party's Over" seems a faintly sardonic title for the second track's doomy storm noises, bleating tenor, and integration of textures in which it's hard to say who does what as the ...

CD/LP/TRACK REVIEW

Stich Wynston's Modern Surfaces: Transparent Horizons

Read "Transparent Horizons" reviewed by

Toronto musician Stich Wynston takes drumming about as far from its timekeeping role as it can possibly go on Transparent Horizons, his first CD since his 1999 eponymous debut on Buzz Records. Wynston and his group Modern Surfaces (saxophonist Mike Murley, guitarist Geoff Young, and bassist Jim Vivian) maintain almost the same lineup as the previous album--only guest pianist Paul Bley is missing. Here they dispense with a pianist, with the exception of “Spiral Nebula, where Stich himself plays a Debussy-esque solo piano étude, and “Intergalactic Spheres, where the group plays around a looped piano arpeggio that provides the recording's ...



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