Much of what is written in reviews about Steve Herberman's playing is analogous to the created illusion of two guitarists, or the use of overdubbing. Ideals, however, finds such a statement wanting and unsuitable. Guitar and piano trios have always had a distinctive vibe and aesthetic, but here, Herberman blurs the line with his adept application of counterpoint and refined harmonic epitome. Voicings never sound 'stock,' but well considered and purposeful and by no means overly contrived. Improvised lines roll out with subtle diversity in phrasing and above all, dynamic contrast. His accompaniment (both of himself and his band mates) ...read more
East Coast guitarist Steve Herberman presents a program of his original compositions on Action: Reaction. Along with bassist Drew Gress and drummer Mark Ferber, he romps and stomps in jazz's modern mainstream climate with creative asides added into each selection. Theirs is an equal-sharing trio that puts each voice into the spotlight throughout the session. Each artist takes solo opportunities, but the emphasis remains on three-way duties where everyone leads together.
Herberman plays a 7-string guitar, which extends the bass range of the instrument. Thus, his interpretations move fluidly up and down the registers with utmost freedom. His ...read more
Steve Herberman, who plays the seven-string guitar, is blessed with an abundance of technique. The instrument, which has been his to fathom since 1993, is now an articulate messenger for his ministrations.
Herberman writes with his eye on the palette that this guitar provides. His creativity infuses the music and it matters not whether he is out on a bop groove, indulging in swing or playing a ballad. He is the master of the up-tempo and the introspective.
Herberman forms a potent combination with bassist Drew Gress and drummer Mark Ferber. The two rhythm men also bring in several ideas ...read more
Washington, DC-based guitarist Steve Herberman comes into your ear-space with an authority and clarity on Action: Reaction that immediately grabs your attention. However there's more to this recording than just fretboard fireworks; his trio with bassist Drew Gress and drummer Mark Ferber delivers a three-musician communiqué of solid jazz. Herberman is reminiscent of straight-ahead greats Jim Hall and Joe Pass, with a lyrical and expressive touch. But he stamps out his own identity with a seven-string guitar (the extra string extending the bass range) and playing marked by clever fingerpicking, deep phrasing, and an ability to fill ...read more
This is, by coincidence, the fourth jazz guitar album in a row that I've reviewed, and it's the best of the bunch. Steve Herberman is a Washington, DC-based musician who previously released Thought Lines (Reach Music, 2001). Instead of a strategic mix of originals and standards, Herberman provides all-new compositions for Action: Reaction. Herberman uses a seven-string guitar, which is relatively underutilized. A few months ago, I reviewed a release from Fred Fried who made the switch after studying under George Van Eps, a master of the seven-string guitar. Fried's reasoning was that the use of the added ...read more
One extra string--from six to seven--does indeed make a difference on the guitar. It extends the bass range, and it lends an added richness to the harmonies. Like fellow guitarist Fred Fried, Steve Herberman plays a seven string instrument to craft a distinctive sound. Herberman's previous CD, Thought Lines (Reach Music, '02) mixed standards and originals. Action:Reaction is a set of all Herberman originals.The disc's title suggests the working mode of the trio. The guitarist is joined here by a couple of stalwarts of the New York City jazz scene, bassist Drew Gress and drummer Mark Ferber. The ...read more
Thought Lines is a perfect title for this leader debut from Maryland-based guitarist Steve Herberman, since his guitar lines seem to flow as naturally as thought. This CD was a welcome companion on my recent road trip after a winter storm, perfectly suiting that contemplative, long-drive mood, with enough spark and swing to keep me chugging along. There's a gentleness to Herberman's playing that matched the snow-covered forests I was passing, but there's also plenty of groove in there too. His decision not to use a pick warms his sound and makes it more organic, while his use of the ...read more