Ever the thinker, saxophonist Steve Coleman now delves into the connection between human biology and music with Functional Arrhythmias, perhaps his most accessible release in recent memory. With a vast discography that has covered everything from unadulterated funk in 1988's Sine Die (Pegasus) to advanced concepts in 2011's The Mancy of Sound (Pi), his curiosity and influence continue to expand.Coleman reenlists the kinetic rhythm-section of Anthony Tidd (electric bass) and Sean Rickman (drums) who appeared on The Sonic Language of Myth ((RCA Victor, 1999). The two provide a groove center throughout the set as Coleman and young trumpet ...read more
Saxophonist Steve Coleman's The Mancy of Sound (Pi Recordings, 2011) was one of the records of 2011. Thematically and structurally challenging on the one hand, dynamic and funky on the other, the music's contrasts reflect Coleman's view of the world, in all its complexity and simplicity. Coleman's fierce intellect carries simple logic, wrapped in many-layered waves of knowledge; so, too, the music on this recording may seem overwhelming at first, until repeated listening gradually unveils the simple truths within. For Coleman, it's all a matter of communication with his fellow musicians, where the notes played are the symbols of a ...read more
Although alto saxophonist Steve Coleman's conceptual approach to composition has grown increasingly adventurous, high-brow or esoteric, depending on your viewpoint--with lunar phases and the Yoruba of West Africa's philosophical system providing inspiration here--The Mancy of Sound merely represents Coleman's relationship to the world, which is the font of most music of worth. Retaining the same musicians from Harvesting Semblances and Affinities (Pi Recordings, 2010), Coleman's Five Elements follow-up shares its broad stylistic features, including non-western rhythms and multiple, interweaving voices, though it differs in the increased rhythmic energy and slightly sweeter aesthetic. The two-pronged drums of Tyshawn ...read more
A saxophonist of a different order--part griot, theorist, numerologist, and incessant seeker of knowledge-- Steve Coleman continues to forge new paths in creative music. He's influenced more of today's forward thinking artists than almost anyone in recent memory with his proven M-Base concepts. His critically acclaimed 2010 recording, Harvesting Semblances and Affinities (Pi Recordings), was a welcome return to the spotlight, and the follow-up, The Mancy of Sound , is even more rewarding. To explain Coleman's music is no small feat, of which the eight exhaustive compositions include interwoven syncopations, studies in astral concepts, labyrinthine counterpoint, and ...read more
Celebrated and highly influential alto saxophonist Steve Coleman reenters the progressive jazz context with his cutting-edge Five Elements band. A purveyor of M-Base processes, which are centered upon a synchronous balance between structure and improvisation, Coleman's odd-metered metrics revert to kaleidoscopic sentiment on Clouds."Trombonist Tim Albright launches the track with warmly stated choruses, underscored by Thomas Morgan's bulging bass lines and Jen Shyu's instrumental-like vocalizations. Slightly intensified by Coleman's darting sax lines and trumpeter Jonathan Finlayson's contrasting statements, the ensemble's lucid imagery often mimics crisscrossing cloud movements. Moreover, the polytonal voicings provide the groundwork for shades of grey ...read more
As the founder of the M-Base movement, alto saxophonist Steve Coleman has been at the forefront of advances in jazz composition for 25 years. Culled from traditions with roots in the diverse music of the African Diaspora, M-Base's intricate fusion of syncopated rhythms and polyphonic harmonies has provided a vivacious, forward-thinking alternative to staid conventions for over two decades.
A veteran scene leader and mentor, Coleman has aided the careers of peers like Geri Allen, Greg Osby and Cassandra Wilson, as well as nurturing the development of such heavyweight modernists as Vijay Iyer, Steve Lehman and Rudresh Mahanthappa. ...read more
To admire the music of saxophonist Steve Coleman is, indeed to admire the man. From his origins as a Chicago musician to his current life full of exploration of philosophy, musicology, symbols, and language, he has kept a directness and lucidity about his musical presentation.
Invisible Paths: First Scattering is his first solo session, coming twenty-some years after he co-founded the M-Base collective that included (among many others) Greg Osby, Ravi Coltrane, Robin Eubanks, and Jean-Paul Bourelly. He did record a hard-to-find duo once with bassist Dave Holland in 1991, Phase-Space (DIW, 1994.
Like the duo, ...read more
Join our growing community ofwriters, musicians, visual artists and advocates.