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JAZZ IN THE AQUARIAN AGE

Stan Getz: I'm Gonna Blow the Walls Down

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[The music that Stan Getz made over the years was consistently moving and powerful. But he was probably putting me on a little when he said he was going to “blow the walls down" in New York for a series of shows early in 1979. When someone gives you a headline like that, though, you go with it. He was a little more straightforward later in the interview when he said, “I'm a thoughtful player. I don't believe in blasting ...

EXTENDED ANALYSIS

Cal Tjader & Stan Getz: Sextet

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Cal Tjader / Stan GetzSextetOriginal Jazz Classics Remasters2011 (1958) The presence of Latin and Afro-Cuban enthusiast, vibraphonist Cal Tjader, has created a widespread misconception that Sextet was the album which sparked tenor saxophonist Stan Getz's fascination with Brazilian music and, ultimately, bossa nova. The notion has, over the years, been reinforced by the inclusion of pianist Vince Guaraldi's “Ginza Samba," whose theme statements were played over a samba beat, and which, ...

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Stan Getz Quintette: Jazz At Storyville

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Stan Getz QuintetteJazz At StoryvilleRoyal Roost1951 For his casual listeners, tenor saxophonist Stan Getz peaked during the bossa nova craze of the early to mid 1960s. And as Verve's five-disc, 2008 box set, The Bossa Nova Albums, reminded casual and committed listeners alike, Getz and bossa nova were, indeed, made for each other. But anyone willing to rewind through the 1950s will find a cornucopia of less well ...

EXTENDED ANALYSIS

Stan Getz: Quintets - The Clef and Norgran Studio Albums

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Stan GetzQuintets: The Clef & Norgran Studio AlbumsVerve/Hip-0 Select2011 A pleasure to handle and a thrill to play, this limited edition box set brings together all the quintet studio recordings made by tenor saxophonist Stan Getz for impresario Norman Granz's Clef and Norgran labels, soon to be rolled together as Verve, between December 1952 and January 1955. The three discs capture Getz's emergence as a small group bandleader newly at the ...

CD/LP/TRACK REVIEW

Stan Getz: Apasionado

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Tenor saxophonist Stan Getz's neo-big band album Apasionado has been consigned to minor league status since its original release in 1990. It does, indeed, look unpromising: recorded in fall 1989, when Getz was undergoing treatment for the cancer which would kill him less than two years later; with a pair of synthesizers replicating a string section; and with the commercially astute but MOR focused Herb Alpert producing.

But 20 years on and rereleased, Apasionado rises way above expectations. ...

CD/LP/TRACK REVIEW

Stan Getz: Legacy

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Here's a pleasant surprise: “previously unissued material" by tenor sax giant Stan Getz that by and large deserves to be more widely disseminated and heard. Legacy is comprised of five sessions spanning the years 1980-86, including three numbers with the Woody Herman Herd and another with Getz and pianist Jimmy Rowles performing Rowles' “The Peacocks." The other seven tracks embody three quartet dates.

While the sound is uneven, as one would expect on such a compilation, the audio's not as ...

CD/LP/TRACK REVIEW

Stan Getz: Stan Getz with Guest Artist Laurindo Almeida

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This is music that may be impossible to listen to while remaining still. The instant Stan Getz and Laurindo Almeida take off with “Minina Moca" ("Young Lady"), the party's on. Although the performances throughout are masterful, nothing is about showboating. This is music of great beauty in a totally relaxed setting. By the 1960s, Almeida was already a veteran of West Coast studio dates and years with Stan Kenton's big band. Kenton first heard the guitarist in ...

CD/LP/TRACK REVIEW

Stan Getz: At The Shrine

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This latest reissue in the Verve Originals series--which in early 2009 brought us the superb five-CD box set Stan Getz: The Bossa Nova Albums--tends to be overlooked when lists of tenor saxophonist Stan Getz's early classics are compiled. A 1954 live recording from The Shrine in Los Angeles, it was originally released on Norman Granz's Norgran label over two LPs. This CD release includes in its entirety a 53-minute concert set by the Getz quintet plus another 17 minutes recorded ...



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