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CD/LP/TRACK REVIEW

Soren Kjaergaard / Ben Street / Andrew Cyrille: Syvmileskridt

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The relationship between stillness and movement is something that has occupied pianist Søren Kjærgaard for a long time and with bassist Ben Street and drummer Andrew Cyrille, Kjærgaard has found the perfect vehicle to explore the essence of musical creation. Syvmileskridt is the fourth album from the trio. Each musician is a master in his own right, but individual excess isn't the point in this group that shuns the trite formula of head-solo-head. Instead, the virtuosity of ...

CD/LP/TRACK REVIEW

Soren Kjaergaard / Ben Street / Andrew Cyrille: Femklang

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In his liner notes to the seminal Kind of Blue (Columbia, 1959), pianist Bill Evans wrote eloquently about the link between Japanese visual art and improvisation, using the description of the technique of minimalistic painting as an analogy to the process of musical creation. Evans emphasized the need for an uninterrupted and natural approach to music making, eschewing elaborate artistic planning in favor of an approach which would allow the music to blossom in the moment while, at the same ...

CD/LP/TRACK REVIEW

Soren Kjaergaard / Ben Street / Andrew Cyrille: Open Opus

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While it may be easy to be daunted by the sheer pyrotechnics of musicians flexing their instrumental muscles, it is sometimes forgotten that the greatest ability of musical art is to let the listener in to be part of the process; in the best of all worlds, pure admiration is replaced by participation. Danish pianist Soren Kjaergaard is one such musician, who is able to navigate safely in the waters of virtuosity while still leaving room for the listener's imagination. ...

CD/LP/TRACK REVIEW

Soren Kjaergaard: Optics

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The title track of Optics provides a good overview to this beautiful and fascinating recording. While some young musicians seek to capture their audience with a fusillade of notes, pianist Sïren Kjaergaard's trio proceeds with the flowing confidence of a Zen master. That's not to say that Optics doesn't have its intense, passionate or loud moments, but the balance of moods and dynamics comes from a self-assurance that is not doctrinaire or pretentious. “Optics" takes on a unique three-part (yet ...



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