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CD/LP/TRACK REVIEW

Sylvie Courvoisier – Mark Feldman Quartet with Scott Colley and Billy Mintz: Birdies For Lulu

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Pianist Sylvie Courvoisier and violinist Mark Feldman are a dynamic duo within the neoteric strategies of modern jazz, coupled with their substantial artistic output. They intersperse classical inferences with shades of folk, avant-garde schemas, and bristling improvisational segments into the big picture. This incarnation of the quartet now features upper-echelon session bassist Scott Colley and venerable drummer Billy Mintz. Essentially, the artists enrich the avant-classical genre by cultivating an undertow framed on swing, bop and concise opuses tinted with the ...

CD/LP/TRACK REVIEW

Thomas Maintz / Scott Colley / Johnathan Blake: Present

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There's a certain trend that has developed on the Danish jazz scene and it keeps growing stronger. In recent years, many Danish jazz musicians have travelled to New York to make a record with some of the top musicians in the city. Danish guitarist Jakob Bro has done it several times, recently with his record December Song (Loveland, 2013) where he once again worked with legendary saxophonist Lee Konitz, pianist Søren Bebe recorded with bassist Marc Johnson on Eva (From ...

CD/LP/TRACK REVIEW

Scott Colley: Empire

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Empire is another exceptional release by Scott Colley, the first-call bassist whose deep strings have been the mainstay with numerous leading artists and a part of several fine recordings including drummer Antonio Sanchez's outstanding Live in New York at Jazz Standard (Cam Jazz, 2010). “January," the album's opener, sets a mood that is as cinematic as it is compelling. The twang of strings from Bill Frisell's guitar, the whispered wind song of percussive bells from drummer Brian Blade, and the ...

CD/LP/TRACK REVIEW

Scott Colley: Empire

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One of jazz's most ubiquitous bassists, Scott Colley has only released a handful of albums as a leader, compared to hundreds of sessions and live dates with artists ranging from Jim Hall and Andrew Hill to Chris Potter and Antonio Sanchez. Architect of the Silent Moment (CamJazz, 2007), was a particularly impressive combination of head and heart, traditional roots and forward thinking, acoustic and electric. One of 2007's best , it was a turning point for Colley--a new path that ...

CD/LP/TRACK REVIEW

Scott Colley: Architect Of The Silent Moment

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A work that presents a deeply mined and singular mood, Architect Of The Silent Moment is subdued yet coolly intense. The album presents a unified musical vision built on bass vamps and grooves with little true melodic development or harmonic changes, allowing the soloists much freedom within each defined section. While the prevailing feeling created is one of introspection and thoughtfulness, elation and clarity break through many times. This is not music that presents obvious, clear forms ...

CD/LP/TRACK REVIEW

Scott Colley: Architect of the Silent Moment

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For bassist Colley's Architect of the Silent Moment, a conceptual construct (more poetically, a fantasia) for small ensemble, the oft-quoted dictum has rarely seemed more apposite: “Less is more. Colley starts with a core quartet of Ralph Alessi (trumpet), Craig Taborn (keyboards) and Antonio Sanchez (drums), and guests emerge and disappear throughout the subtle, largely written, 54-minute work. Dave Binney's alto fleshes out dodge-and-weave frontlines that recall Shorter/Davis, and wails his lone caterwaul on “From Within. Mouth-harpist Gregoire Maret limns ...

INTERVIEWS

Scott Colley: Music Architect

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Scott Colley can be found adding his big-toned, always appropriate contra bass to a number of settings. He's been a staple on the New York music scene for some time now, with older established musicians like Pat Metheny, Andrew Hill, John Scofield, Joe Lovano, Michael Brecker, Clifford Jordan, Herbie Hancock and many, many more. But also with colleagues like Ravi Coltrane, Chris Potter, Dave Binney or Craig Taborn.He's also recorded steadily, something many bassists can't say. From 1996 ...

CD/LP/TRACK REVIEW

Scott Colley: Architect of the Silent Moment

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Scott Colley's ability to fuse free-form improvisation, complex meters, grooving melodies, rock harmonies and atonality has solidified his position as a New York jazz musician of the new generation. Unfortunately we live in a plagued era in which musical complexity is worth just as much as--if not more than--musical accessibility and the communication of ideas. Architect of the Silent Moment suffers from at least three of the symptoms endemic to this ailment.Symptom 1: Overplaying. Much of the record ...



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