Recent Articles

CD/LP/TRACK REVIEW

Russ Lossing Trio: Oracle

Read "Oracle" reviewed by

There are rolling, wide open spaces in the music of Russ Lossing. Much of this is traversed in the seemingly sprawling beauty of Oracle, an album that meanders in the absorbing colors and textures of what that which the trio offers up for seduction. It is easy to be swept up in the diaphanous gusts of sound that sweep across the terrain, which, in turn, opens up with Lossing's gorgeously cadenced arpeggios that skitter and ramble startlingly across the interminable landscape that the music opens out into. The result makes clear that this is repertoire that is dramatic and full ...

CD/LP/TRACK REVIEW

Russ Lossing Trio: Oracle

Read "Oracle" reviewed by

Haunting, meditative, solemn and high-impact are descriptors that bear pianist Russ Lossing's approach and sensibilities. While Oracle denotes his trio's debut effort for hatOLOGY records, it's been a working unit for several years, largely based in New York City. The program is architected via disparate levels of pitch amid a capacious vibe, but the trio often picks up steam and executes through a vast plane of propositions, where gravitational pull and heavy-artillery counterattacks balance the flowing contours. Drummer Billy Mintz tenders the hauntingly melodic “Love and Beauty." With Lossing's interweaving voicings amid a pensive tone, the primary theme ...

CD/LP/TRACK REVIEW

Russ Lossing Trio: Oracle

Read "Oracle" reviewed by

Pianist Russ Lossing's trio evokes a dreamlike state on Oracle, by communicating an atmosphere of unearthly elegance through trance-inducing energy. Lossing, bassist Masa Kamaguchi and drummer Billy Mintz commune at this level because they'd been a working trio for six years when this studio recording was made in 2007. Besides that, all three bring experience from the fertile jazz world: Lossing, as a member of bands led by Paul Motian, Dave Liebman, and Mat Maneri; Kamaguchi, with Frank Kimbrough, Matt Renzi, and John O'Gallagher; and Mintz, in bands with Vinny Golia, Tony Malaby, and Nels Cline.

CD/LP/TRACK REVIEW

Russ Lossing / John Hebert: Line Up

Read "Line Up" reviewed by

The profound depth of the interactions between pianist Russ Lossing and bassist John Hebert on their new duo recording bears the mark of a shared history and mutual respect and enthusiasm. Hebert and Lossing have both worked with many great artists who have shaped the history of jazz, including Paul Motian, Andrew Hill, Dave Liebman and John Abercrombie, as well as many more recent innovators like Mat Maneri, Uri Caine, Fred Hersch, Greg Osby and Mark Dresser. There may be a wealth of experience that informs these duets, but these two have also been working together for many years, having ...

CD/LP/TRACK REVIEW

Russ Lossing / John Hebert: Line Up

Read "Line Up" reviewed by

Pianist Russ Lossing and bassist John Hebert have known each other a long time and have played together on a number of projects, including Lossing's own Phrase 6 (Fresh Sound New Talent, 2005), and, most recently, on the phenomenal “quasi-debut" of Michael Adkins, Rotator (HatOLOGY, 2008). After talking for a long time about making a duo recording, the two players finally did it, and the exceptional Line Up, is the result. As a player, Hebert's wide-ranging musical instincts allow him to literally adapt to the circumstances at hand, from Gebhard Ullman's brutally intense New Basement Research (Soul ...

CD/LP/TRACK REVIEW

Russ Lossing / John Hebert: Line Up

Read "Line Up" reviewed by

Modern bass playing, and the special relationship in jazz between bass and piano, could be said to have begun in the early 1940s, with the partnership of pianist Duke Ellington and bassist Jimmy Blanton.

In a series of duo recordings as impactful, among musicians, as saxophonist Charlie Parker and trumpeter Dizzy Gillespie's couplings a few years later, Blanton took his instrument beyond its role as a more or less lumpen metronomic device and, in intimate relationship with Ellington's piano, revealed its potential as a harmonically and rhythmically fully functioning, proactive presence.

Amongst the songs Ellington and ...

CD/LP/TRACK REVIEW

Russ Lossing: All Things Arise

Read "All Things Arise" reviewed by

Russ Lossing is a pianist of extreme depth and intensity whose music exists between jazz improvisation and modern classicism. All Things Arise will only cement this impression. His previous records include the marvelous Metal Rat (Clean Feed, 2006) with Mat Maneri and Mark Dresser, and the intense As It Grows (HatOLOGY, 2004) with Ed Schuller and Paul Motian. This time, however, Lossing is on solo piano, which only increases the intensity since every aspect of the sounds and emotions presented is in the soloist's hands. The piano used is very good and the recording quality impeccable, leading ...



Sponsor: ECM Records | BUY NOW

Enter it twice.
To the weekly jazz events calendar

Enter the numbers in the graphic
Enter the code in this picture

Log in

One moment, you will be redirected shortly.

or search site with Google