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Ron Carter Golden Striker Trio at Jazzfest Gronau 2014

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Ron Carter Golden Striker Trio Evangelist Stadtkirche Jazzfest Gronau Gronau, Germany April 27, 2014 Ron Carter resumed his casual, “guy with the microphone" demeanor as bandleader for this afternoon's “church meeting," but brought a confident intensity to this conspicuously jazz conscious German community on the Netherlands border. A large, enthusiastic crowd at Evangelist Stadtkirche was well aware that whatever role Carter takes in an ensemble, his majestic upright bass stands as one ...

CD/LP/TRACK REVIEW

Kenny Barron/Gerry Gibbs/Ron Carter: Gerry Gibbs Thrasher Dream Trio

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When drummer Gerry “The Thrasher" Gibbs was a youngster, growing up in California in the '70s, he idolized bassist Ron Carter and pianist Kenny Barron. Of course, neither man played his instrument of choice, but he recognized the greatness that emanated from both players and he viewed them as exemplars of what's right and good in jazz. He sought out and savored every album that he could find that each man appeared on and dreamt of playing with them; that ...

CD/LP/TRACK REVIEW

Kenny Barron/Gerry Gibbs/Ron Carter: Gerry Gibbs Thrasher Dream Trio

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Drummer Gerry Gibbs calls this band the Thrasher Dream Trio. That “Thrasher" aspect of the appellation might make the uninitiated conjure images of burly tattooed guys in sleeveless shirts, sporting long black hair--and maybe facial make-up--slamming their instruments in the heavy metal bass/drums/guitar mode. But this couldn't be further from the music at hand. Gerry Gibbs Thrasher Dream Trio teams two seasoned jazz veterans--legends, really: bassist Ron Carter and pianist Kenny Barron--with relative newcomer Gibbs, on an energized set of ...

LIVE REVIEWS

Donald Harrison, Ron Carter & Billy Cobham Trio: New York, NY, January 8, 2013

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Donald Harrison, Ron Carter & Billy Cobham TrioBlue NoteNew York, NYJanuary 8, 2013All-Star groupings are often dreamed up by promoters looking to capitalize on one-off, big name combinations that never really have the opportunity to gel; that's not the case with saxophonist Donald Harrison, bassist Ron Carter and drummer Billy Cobham's trio. A New Orleans modernist who comes from the university of drummer Art Blakey, jazz's preeminent acoustic bassist and a fusion kingpin may seem ...

INTERVIEWS

Ron Carter: The Right Notes, Alright

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There can't be any jazz musician or jazz listener who doesn't know Ron Carter and his standing as one of the most successful and influential bass players in the history of music in America. He's a musician of the highest order, with a rich, immediately identifiable sound that has resonated in the jazz world for some five decades. Those beautiful bottom notes. Always on the search for the right ones, he probably hasn't played too many clunkers over the years.

LIVE REVIEWS

Ron Carter at 75: New York, March 27, 2012

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Ron Carter at 75: A Life in MusicAlice Tully HallNew York, NYMarch 27, 2012On the night of the Juilliard School's tribute to Ron Carter, electronic billboards lining 65th Street near Lincoln Center flashed bright pictures of the iconic jazz bassist. The event was a lot like the man and his music: there was an atmosphere of elegance and warmth, occasional touches of wry humor, some chamber music colorings mixed on a deep jazz palette, and ...

CD/LP/TRACK REVIEW

Ron Carter's Great Big Band: Ron Carter's Great Big Band

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There is practically nothing that Ron Carter has not done, including actually playing second bass fiddle to Charles Mingus on Three Or Four Shades Of Blue, (Atlantic, 1977). Ever since the world shone a spotlight on the bassist when he graced the great quintet of Miles Davis, with Tony Williams, Herbie Hancock and Wayne Shorter, Carter has been recognized as one of the premier jazz bassists of the time. Many of his albums--including Uptown Conversation (Embryo/Atlantic, 1989), his trio recording ...

CD/LP/TRACK REVIEW

Ron Carter's Great Big Band: Ron Carter's Great Big Band

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Bassist Ron Carter rode to high profile during his stint with trumpeter Miles Davis' second great quintet, the stellar mid-1960s ensemble that also included pianist Herbie Hancock, drummer Tony Williams and saxophonist Wayne Shorter--all of whom, like Carter, went on to create great things. Carter also used the opportunity afforded by the Davis boost to become something of a super side sideman, appearing on hundreds of albums led by an array of fellow artists, as well as dozens of his ...



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