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CD/LP/TRACK REVIEW

Scanner with the Post Modern Jazz Quartet: Blink of An Eye

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From the very first sounds heard on Blink of An Eye's “Shadow Splice," a ground is gradually established with bass piano chords, a minor-key string bass arco line, a floating vibe resonance and steady pulse rising from the cymbals. As the Ellingtonian “Blues In C" evokes, the source of improvisational music is the tradition of jazz. No argument. But over time, the tools feeding into that tradition change and become a go-to part of the instrumental inventory, more so now than in the nascent application of electronics by Miles Davis or Ornette Coleman. British musician, Robin Rimbaud, ...

CD/LP/TRACK REVIEW

Scanner with the Post Modern Jazz Quartet: Blink Of An Eye

Read "Blink Of An Eye" reviewed by

If the early works of Robin Rimbaud (aka Scanner) can be described as voyeuristic, then Blink Of An Eye might just be Frotteurism, the act of touching others, usually in crowds, without their ever knowing. On Blink of an Eye he alters, accents and manipulates a jazz quartet's sound, often without it being obvious.Scanner began producing music in the late 1980s/early 1990s by pirating cellphone calls and working them into his electronic sound, an approach that fits nicely with pianist Matthew Shipp's “nubop" concept. Rimbaud and Shipp built this recording around the tradition and lineup of the famed ...



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