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CD/LP/TRACK REVIEW

Roberta Piket: Solo

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Listening back on Roberta Piket's discography, with recordings like the trio affair, Love and Beauty (Thirteenth Note Records, 2007) and the ambitious Side, Colors (Thirteenth Note Records, 2013), it's clear that the New York-based pianist has established herself as “an artist deserving wider recognition." With Solo she cements a reputation as a top level jazz artist.Solo features Piket alone with the piano, the most challenging of formats. To say she has risen to the challenge is an understatement. On a set of mostly standards and Great American Songbook classics she freshens some familiar fare, offers up two of ...

EXTENDED ANALYSIS

Roby Glod / Roberta Piket / Mark Tokar / Klaus Kugel: Op Der Schmelz Live

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This album is a winner from the git-go. Brooklyn-based pianist Roberta Piket summons the spirits with a gentle, but emotionally direct solo piano rumination. Harmonically rich, with a probing depth that brings Paul Bley and Steve Kuhn to mind, Piket's invocation is just the first in series of golden moments on Op der Schmelz Live. A co-operative quartet comprised of Piket, veteran German drummer Klaus Kugel, the energetic Ukranian bassist Mark Tokar, and the Luxembourg-based French saxophonist Roby Glod, their first album as a unit is actually named for the venue in which it was recorded. Op der Schmelz, in ...

CD/LP/TRACK REVIEW

Roby Glod / Roberta Piket / Mark Tokar / Klaus Kugel: Op Der Schmelz Live

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This pan-European-American collective quartet, named after the Op Der Schmelz venue in Luxemburg (where this album was recorded), focuses in transforming intuitively detailed sonic moments into balanced movements, full of surprises and risk- taking. The quartet is comprised of four experienced improvisers--Luxemburg-based saxophonist Roby Glod, New Yorker pianist Roberta Piket, Ukrainian bassist Mark Tokar and Köln-based drummer Klaus Kugel- -who share emphatic interplay, a discursive approach and natural intimacy. All the pieces begin in a conventional manner with a simple theme, but then all is opened up; anything can happen. These continuous pieces are developed as a ...

INTERVIEWS

Roberta Piket: Making a Difference

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Roberta Piket is a jazz pianist, composer, and arranger with an exceptional range of expression. In the same tune or performance, she moves fluidly between bebop, hard bop, blues, soft and mellow, up-tempo, contrapuntal, and advanced harmonic motifs, making it all come together in meaningful, coherent statements of ideas and emotions. She thinks hard when she plays, “with big ears," as Dave Liebman once said, and a sense of story. She is a truly contemporary player, pushing the envelope. Among her accomplishments are eight CDs as a leader, a vocal composition based on the poems of Vladimir Nabokov, performances at ...

EXTENDED ANALYSIS

Roberta Piket: Sides, Colors

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Roberta Piket Sides, ColorsThirteenth Note Records2011 Roberta Piket is a pianist with rich musical abilities who is making a name for herself as one of the best of her generation of keyboard players. Her 2011 release, Sides, Colors is a well-conceived recording, using her trio supplemented by strings and horns in a potpourri of originals and standards. It was realized in a creative manner, embodying several interesting ideas. First, it was recorded in an open studio instead of the usual booths for individual musicians. Thus, the players were in the same sound zone ...

CD/LP/TRACK REVIEW

Roberta Piket: Sides, Colors

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Some people describe music in terms of colors. Composers like Duke Ellington used them in song titles like “Black, Brown And Beige," “Black And Tan Fantasy" and “Mood Indigo," to describe the mood and feeling of his music, Sides, Colors is a perfect title for this release by pianist Roberta Piket, as she demonstrates her different musical sides and colors. Piket shows her classical, lyrical side on “Billy's Ballad" and Bill Evans “Laurie," while the classical feel is accentuated by the addition of clarinet, flute and strings--a concept similar to Esperanza Spalding's Chamber Music Society (Heads Up, ...

CD/LP/TRACK REVIEW

Roberta Piket: Sides, Colors

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Back in earlier days, when the vinyl, 33 RPM long playing record was the way to listen to music, Roberta Piket's Sides, Colors would have been released as a double disc, with its generous seventy-six minutes of music and two distinctly different moods. After her beautiful piano trio outing, Love and Beauty (Thirteenth Note Records, 2007), Piket now spreads her wings with the subtle addition of strings and horns to her trio 's sound.The first half of the CD, labeled “Side A" on the back cover, is the “Strings" side, opening with Piket exploring Bill Evan's pensive, and ...

CD/LP/TRACK REVIEW

Roberta Piket Trio: Love and Beauty

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Pianist Roberta Piket likes to push the envelope a little, which makes Love and Beauty an interesting adventure. Piket is joined by her usual cohorts--bassist Ratzo Harris and drummer Billy Mintz--in this offering of original material and two standards. Things begin with Piket's “I'm My Everything (loosely based on Harry Warren's “You're My Everything ), a piece that shows off her skill with a contrapuntal element as well as Mintz's right-on drum work. Another original, “For Uncle Harvey, is a lovely waltz, played wistfully and enhanced by Mintz's subtle brushwork. The title track, a ballad by Mintz, ...

CD/LP/TRACK REVIEW

Roberta Piket Trio: Love and Beauty

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Sitting in the middle of an interactive trio, pianist/composer Roberta Piket unplugs herself from her Alternating Current and delves deep into acoustic piano trio mode on Love and Beauty. Joined by bassist Billy Mintz and drummer Ratzo Harris, the set explores, by turns, lyrical loveliness, gentle loving affection, and sharp-edged abstraction with an old fashioned straight-at-you intensity underlain by a good deal of implacable momentum.The disc opens with the Piket-penned “I'm My Everything," a tune that sounds as if it must be a rousing crowd-pleaser in her live sets. Shifting from a light-hearted groove into darker zones full ...

CD/LP/TRACK REVIEW

Roberta Piket & Alternating Current: I'm Back in Therapy and It's All Your Fault

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Piano Lady Roberta Piket is looking quite cool, a little bit saucy, on the cover of her new CD... sunglasses and a hot pink sleeveless blouse, hips cocked, hands planted thereon, head tilted at a “you got a problem" angle. And then there's the title: I'm Back in Therapy and It's All Your Fault. That leads one to believe she's working a bit tongue in cheek, that the music here may play around with the whimsical side of song. But the sounds on I'm Back are actually rather dark and brooding, for the most part music that brings seventies Miles ...

CD/LP/TRACK REVIEW

Roberta Piket Trio: speak, memory

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Roberta Piket plays the piano with the sensibility of someone on an endless search, yet she makes music that is accessible to the listener who is willing to meet her halfway. On speak, memory, her steely determination is balanced by a willingness to interact conversationally with bassist Masa Kamaguchi and drummer Jeff Williams (her musical partner for the last 9 years), and a gentle, knowing way with the melodies of standards such as 'Lost In The Stars,' and 'The Man That Got Away.'

Piket seldom stays in one mode for too long; she efficiently develops an idea and then restlessly ...



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