Synthesist Robert Henke celebrates the FM3 Buddha Machine on this richly ambient production that parlays the instrumentation-based sounds/loops into a sort of omnipresent reckoning. Henke cites the unit's imperfections, sampling rates and other processes with a great deal of depth and insight, especially for the micro-processor engineers out there.
The artist extracts elongated sounds and weaves them into minimalist frameworks. Think of Brian Eno's early expansive, ambient-electronic musings, for example. On Layering Buddha, Henke uses A/D converters and ...read more