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CD/LP/TRACK REVIEW

Richard Galliano: Sentimentale

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Accordionist Richard Galliano is a true innovator of both the extemporized role of his instrument and of the fusion of French folk music with jazz. His breathtaking instrumental facility combined with a creative ingenuity makes his oeuvre, particularly the series of superb albums on Dreyfus Jazz, uniquely satisfying. In view of this, his release on the non-for-profit Resonance Label, Sentimentale is a bit of a letdown. A couple of Galliano compositions, and a few jazz, Bossa Nova and pop standards are among the dozen of tracks that constitute the album. Despite the diversity of their origins the superlative ...

CD/LP/TRACK REVIEW

Richard Galliano: Tangaria

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A little accordion can go a long way. Its sound is a knife edge away from a dolorous monotone, and stubbornly resists modulation. It is no accident that Argentinian tango, the style indelibly associated with the instrument, typically deals with loss and bad luck. Few accordionists are able to cast off this baggage, but Richard Galliano is one who can.

An inventive, virtuoso performer with solid jazz chops, Galliano is at home with a variety of atmospheres, including the happy and the carefree. Tangaria, recorded with his Tangaria Quartet and guest mandolinist Hamilton De Holanda--and previously released, without ...

CD/LP/TRACK REVIEW

Richard Galliano: Love Day: Los Angeles Sessions

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The beauty of music is in its ability to compress. A whole lifetime of emotions can be contained in a song. Music, in a way, is the most abstract way of speaking and yet it is also the most direct utterance one can think of. The same can be said of love. Love and music transcend time while still being situated in history. Love that's here today can be gone tomorrow.

Richard Galliano's Love Day can be heard as an allegory of love and music's ability to compress. In about an hour we experience the time of a ...

CD/LP/TRACK REVIEW

Richard Galliano / Brussels Jazz Orchestra: Ten Years Ago

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An energetic recording artist who since 2007 has been averaging three albums a year, accordionist Richard Galliano appears even more prolific because of the quick-fire diversity of contexts in which he places himself--solo, with his Tangaria quartet, with European and American jazz groups ranging from duos to larger lineups, and with strings. Between them, Galliano's albums have embraced tango, jazz, chanson and the classics. In a long career as leader however, he has never recorded with a big band--until now and Ten Years Ago, his first release of 2009 and a thumping five-star triumph.

The album partners Galliano ...

CD/LP/TRACK REVIEW

Richard Galliano: Love Day: Los Angeles Sessions

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French-Italian accordionist Richard Galliano began recording for the Milan label in the mid-2000s, since when he's released two tango-based albums, Luz Negra (Milan, 2007) and Live In Marciac (Milan, 2007), made with his Tangaria Quartet. Galliano's Love Day: Los Angeles Session finds him returning to another love, new musette, a jazz-inflected recalibration of the bal-musette cafe music developed by French and Italian musicians in late 19th century Paris.Love Day: Los Angeles Sessions is bal-musette with a further twist though. Throughout his substantial discography, Galliano has recorded, in the main, with European musicians. On Love Day he's chosen a ...

LIVE REVIEWS

Ottawa Jazz Festival 2008: Days 10-11, June 29-30, 2008

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Days 1-3 | Days 4-6 | Days 7-8 | Days 10-11

Brad Mehldau Trio / Richard Galliano Tangaria Quartet TD Canada Trust Ottawa International Jazz Festival Ottawa, Ontario, Canada June 29-30, 2008

As the 2008 TD Canada Trust Ottawa International Jazz Festival entered the home stretch, there were choices to be made. Mike Stern or Brad Mehldau? Richard Galliano or Gladys Knight? With an eye on diversity, there was, once again, something for everyone. And while the festival's final day, July 1, 2008, was a special program of free ...

CD/LP/TRACK REVIEW

Paolo Fresu/Richard Galliano/Jan Lundgren: Mare Nostrum

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This magical debonair international trio reminds us once again of the porosity of walls between nations and fluidity of musical styles, as it flits through an enticing shadow world that recaptures Paris in the 1950s. Swedish Jan Lundgren's pointillist piano blends dreamily with Richard Galliano's poignant squeezebox and Sardinian Paolo Fresu's acerbic, haunted trumpet to raise the shades of Edith Piaf, Jacques Brel, Miles Davis, Charles Trenet, Maurice Ravel and Josephine Baker. Waltzes, of course, are numerous, swirling and dreamy affairs that evoke smoky cabarets, midnight quais, Seine-side trysts. Unisons between Galliano and Fresu are mesmerizingly resonant, ...



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