East-West Trumpet Summit is a rollicking showcase for longtime friends Ray Vega and Thomas Marriott. Vega, a New York native and the elder of the two, has served for many years as a mentor to Seattle's Marriott. The two first met when Marriott was a student at the University of Washington in Seattle, and Vega was in town touring with the late Tito Puente. Friends ever since, the two trumpeters share an affinity for hard-blowing, grounded-in-bebop jazz. New York pianist ...read more
It's usually a bad thing to review a musician's live show and not own at least one of his records. Especially when his discography as a sideman is easily accessible in most record shops. Unfortunately, I do admit this was the case for myself in going to review Ray Vega's Latin Jazz Quintet at the Kennedy Center's KC Jazz Club. Luckily the following day, his publicist sent me his most recent record on Palmetto Records, and since the show I ...read more
Ray Vega illustrates what is most attractive about Latin jazz—that is, its inextinguishable spirit and rhythm. And I mean rhythm. From the get-go, Squeeze Squeeze is a Latin love fest, replete with the complex percussion necessary to support the orgy of cross- and counter-rhythms generated by the head" musicians. Right out of the chute, Mr. Vega crackles like a young Dizzy Gillespie on Wayne Shorter’s Black Nile," spitting a blue flame of notes in his well-constructed solo. He can also ...read more
Trumpeter Ray Vega is a triumphant example of a musician liberated rather than straightjacketed by his Latin jazz expertise. Years of playing in bands as notable as Tito Puente's and Mongo Santamaria's clearly have reaped rewards in terms of his bright, rhythmically punchy, powerhouse delivery. Vega's own description of his current style as Latin Bop" accurately describes his second disc as a leader on Palmetto. The bow to bop is made perfectly clear by his covers of Wayne ...read more
Ray Vega’s Pa’lante is neither extraordinary, nor ordinary. His sextet has nothing to prove except for the fact that they belong squarely in the midst of mainstream New Yorker jazz with an above average Hispanic zing.
Vega’s trumpet playing is tight and clear-cut, as is all music under his care. As a leader, he elicits the same type of feel and performance from the members of his team, whether live or in a recording studio, and his arrangements and compositions ...read more
Bronx-born trumpeter Ray Vega brings some hefty credentials to the forefront, after having played with the crΓ¨me de la crΓ¨me of Latin jazz stars such as the late Tito Puente, Mongo Santamaria, and others. On his third recording as a leader, the trumpeter and his musical associates enliven the Latin jazz genre via a roots-oriented focus and a recognizably modish perspective.
Vega and top-flight alto saxophonist Bobby Porcelli supply a powerful frontline attack, while the sextet investigates ...read more
On Boperation, his second release for Concord Picante, Ray Vega pays homage to the pantheon of legendary bop trumpeters from Diz to Brownie, Fats to Miles — and does so with an invigorating Latin twist. In most cases, the songs chosen were not only played by the trumpeters in question but written by them as well. The exceptions are Benny Golson’s “Whisper Not” (for Art Farmer), Gigi Gryce’s “Social Call” (for Donald Byrd) and the standard “Tangerine” (for Chet Baker ...read more
Viva La Musica. Pregnant with percussion, Boperation is a standards light beam passed through a Latin prism. The result is an infectious salsa slant on hallowed music ably directed by trumpeter Ray Vega. Vega chooses carefully songs composed by ostensibly his greatest influences if not those he recognizes for the necessary artists the are (were). His tone is at once Miles, Birks, and Clifford. Oh, how brilliant and what a start to hear, like a dream where you talk on ...read more