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Papo Vazquez: San Francisco, CA, March 22, 2013

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Papo Vazquez's Pirates and Troubadours SFJAZZ Center San Francisco, CA March 22, 2013On Friday, March 22, 2013, jazz lovers at the new SFJAZZ Center were in for a very special experience. As part of the series of concerts curated by a jazz artist, conguero John Santos unleashed what can only described as a force of nature. By the conclusion of trombonist Papo Vazquez's performance, the crowd was dancing in the aisles, crying in ...

CD/LP/TRACK REVIEW

Papo Vazquez: Oasis

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Trombonist/composer Papo Vazquez brings in his Mighty Pirates Troubadours for another musical adventure full of scintillating melodies, energetic rhythms and heady grooves all of which make for a wonderful album. Not content to stay within one genre, Vazquez blends and mixes them with the skill of a wizard. The styles slide into place easily and compactly, propelled by as accomplished a bunch of musicians as any band leader would love to have.Vazquez not only has a fertile imagination ...

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Papo Vasquez Mighty Pirates Troubadours: Detroit, MI, September 1, 2012

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Papo Vasquez Mighty Pirates TroubadoursDetroit Jazz FestivalDetroit, MISeptember 1, 2012When a musician decides to play Latin,, it is easy for him to get pigeonholed into the Salsa circuit with a little instrumental mambo disguised as Latin jazz thrown in. This isn't the case for trombonist Papo Vasquez who, for the last 20 years produced some of the most creatively eclectic and innovative music in the Afro-Latin Jazz genre. For one, the Puerto Rican Vasquez grew ...

CD/LP/TRACK REVIEW

Papo Vazquez and The Mighty Pirates: Marooned/Aislado: Live at the Painted Bride Art Center

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Few musicians in Latin jazz have more street cred than trombonist Papo Vazquez. A member of the seminal Fort Apache Band, he has been a part of this music's renaissance both in the US and in Puerto Rico for several decades. He has been at the forefront of producing an Afro-Puerto Rican jazz that leans on traditional styles such as bomba, with its infectious resonant percussion, and plena, which relies on the guiro and tambourine-like pandeiros for its sound. As ...

CD/LP/TRACK REVIEW

Papo Vazquez and The Mighty Pirates: Aislado: Live at the Painted Bride Art Center

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Fate deals its own hand. Papo Vazquez and The Mighty Pirates were scheduled to perform at the Painted Bride Art Center in Philadelphia when an ice storm came by the previous day. And so, a two-hour drive from New York City turned into a five-hour ordeal. One would think that the strains of the journey would tell on the band. But that thought perishes from the moment the first note float in.

Trombonist Vazquez has the innate ability of letting ...

CD/LP/TRACK REVIEW

Papo Vazquez Pirates Troubadours: From The Badlands

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Poet Lola Rodriguez del Tio declared Puerto Rico and Cuba as “two wings of the same bird, yet many people lose sight of Puerto Rico's musical contributions. Numerous Latin jazz musicians hold Puerto Rican heritage, yet most songs mix jazz harmonies with Cuban rhythms. New York Puerto Rican musicians applied their identities to traditional dance music, but most listeners hear salsa's Cuban rhythms rather than a Puerto Rican identity. Young musicians wanting to learn “Latin music often overlook Bomba, Plena, ...

CD/LP/TRACK REVIEW

Papo Vazquez Pirates Troubadors: From the Badlands

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Papo Vazquez wears his hats as composer, arranger and trombone player comfortably. As a composer he uses several genres including the aguinaldo, guaracha, bomba, mambo and jazz. His arrangements draw strong ensemble lines and then open the door to let the soloists ride into their improvisations. As a trombone player he has a vitality that lifts a tune and the ability to slip into a quickly created nook to add a delightful exclamation.

Vazquez'a music is earthy and powerful. He ...

CD/LP/TRACK REVIEW

Papo Vazquez Pirates Troubadours: Carnival In San Juan

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This hot Latin treat is a steaminng portion of Afro-Caribbean jazz that reflects the specific cultural elements found in Puerto Rico. Trombonist Papo Vazquez wrote most of the selections and interprets them with a little help from some wildly enthusiastic friends.

Vazquez, Willie Williams, Arturo O’Farrill, John Benitez and Victor Jones form the core ensemble for much of the session. Together, they’re a unit with a cohesive mindset. One supports the other, as lyrical instrumental voices intertwine ...



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