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CD/LP/TRACK REVIEW

Mike Dillon: Band of Outsiders

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There are so many different ways to rebel in life, and Mike Dillon has done them all. Or so it seems, if the music on Band of Outsiders is any indication. Dillon is that rare musician who can take tropes from any number of disparate musical worlds-metal and Brazilian samba school for example-mash them together and create something truly fresh and new. He's a first rate drummer and an equally fine mallet percussionist. Here, he's mostly rocking the electric vibes and singing, though he also plays tablas, congas, and all manner of Brazilian percussion. He's joined by drummer Adam Gertner, ...

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Mike Dillon: Rhythm Method

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Percussionist/vibraphonist/bandleader Mike Dillon's music defies easy categorization. It's been called “punk jazz," a term that describes working methods--do it yourself, find your own voice--more than actual sounds.Dillon sports a wide-ranging musical résumé. He has led or has been a member of outfits such as Critters Buggin, Les Claypool's Fancy Band, The Dead Kenny G's, Mike Dillon's Go-Go Jungle, and Garage a Trois. He led Billy Goat in Dallas, Malachy Papers in Kansas City, and Hairy Apes BMX in Austin at various points over the last two decades. Since moving to New Orleans in 2006, he has performed regularly ...

CD/LP/TRACK REVIEW

Mike Dillon's Go-Go Jungle: Battery Milk

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Vibraphonist Mike Dillon has a very good idea (which is much more than is needed to make a record these days). Dillon's idea is to make a kind of distorted around the edges, loud, vibes-based funk-rock. Perhaps the finest example on this, his début recording, is “Broc's Last Stand." It's the presence of the vibes that sets Dillon's idea apart from other more pedestrian funk-rock experiments, tracing a line that connects us back to, say, the Milt Jackson Quintet's April 1952 version of “Bags' Groove," with Lou Donaldson on alto sax. An extra ingredient on a handful of tracks ("Lunatic ...

CD/LP/TRACK REVIEW

Mike Dillon's Go-Go Jungle: Battery Milk

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Vibes player and bandleader Dillon explains the concept behind his genre-mashing Go-Go Jungle ensemble this way: “I wanted to write some blues heads like Milt Jackson might have written had he grown up listening to Led Zeppelin, and play them over a go-go groove.

Right from the opening “Go-Go's Theme you can tell that Dillon is hell bent on merging the improvisational, jazz vibraphone tradition with the aggressive attack of his personal skull-crushing, hard rock favorites such as the Bad Brains and the Henry Rollins Band.

("Go-go is a percussion- and call-and-response-heavy style of funk ...



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