Berlin-based saxophonist, composer Peter Van Huffel is the lead voice on Boom Crane's debut outing, featuring the dynamo rhythm section of New York residents, bassist Michael Bates and drummer Jeff Davis. As one would anticipate, the saxophonist imparts his creatively focused, restless nature into the grand schema. He's a mover and shaker via his unwieldy theme- construction exercises, spiked with off-center time signatures and animated voicings, often flanked with iron-fisted chutzpah and exceptional fluency. Hence, the musicians go full steam ...read more
Pity the neighbors of the jazz trio Boom Crane. It's not that their garage band approach to music making is off-putting or offensive, it's that the ferocity of their approach is just so demanding. Saxophonist Peter Van Huffel's New York trio of Michael Bates (bass) and Jeff Davis (drums) release this, their inaugural recording, as a purely leaderless effort. Each player contributes music here, and thankfully the engineer has mixed the sound to feature this egalitarian trio. The ...read more
To set the record straight: America has not taken a step closer to being more tolerant of any kind of musical rebel. It does not tolerate the one that conforms (for he or she too is a rebel), nor does it tolerate the one who is the objector. Like in every other aspect of life--other than art--America finds the staid and middle of the road and one most likely to sell the most records most acceptable. Dimitri Shostakovich was anything ...read more
Prevalent in the musical ethic of Michael Bates is a masterful balance of instrumental and compositional elements. Live in New York is Bates' group Outside Sources--Russ Johnson (trumpet), Quinsin Nachoff (saxophone and clarinet) and drummer Jeff Davis --documented at a Fall 2008 Cornelia Street Café gig. The initial snap of the snare on the opening Bloodletting," bolstered by the low resonance of the bass, is immediately engaging. Nachoff's searing buzz that follows quickly transforms into tight melody ...read more
By Michael Bates
Touring can be both exhausting and exhilarating, especially as a bandleader. The last few months have brought reminders of this as I was planning, booking and finally, actually touring with my quartet in support of my recent CD Clockwise on Dave Douglas' Greenleaf Music label. As part of this tour, Greenleaf asked me to post updates on their blog. One of those posts chronicled a trip from Amsterdam to Lyon that included a botched ...read more
On Sep. 17, 2008, bassist Michael Bates’ band Outside Sources took the stage for two sets at Cornelia Street Café to celebrate the release of Clockwise, proving itself to be a tight unit that reveled in richness, unpredictability, astounding technical ability and near-telepathic interaction. The press material surrounding the CD directly referz to pianoless quartets led by Ornette Coleman and Dave Douglas. The explosiveness of the improvisational explorations and the richness of the harmonies certainly make those comparisons ...read more
Clockwise is the third offering from Canadian-born bassist Michael Bates' ensemble Outside Sources. Charting impressive compositional growth since his previous album, A Fine Balance (Between the Lines, 2004), this session finds the Brooklyn-based composer leading his quartet through a dynamically varied program. Fueled by youthful verve, he deftly combines adventurous post-bop structures with the advanced compositional strategies of classical chamber music.
Bates' current touring quartet features longstanding partner Canadian saxophonist Quinsin Nachoff and ubiquitous Downtown musicians Russ Johnson ...read more
The shadow of Dave Douglas hovers over bassist Michael Bates' debut recording. However, Douglas' influence is understandable, because both are faculty members at the Banff Center of the Arts. Despite the noticeable stylistic overlap, Bates contributes a strong program of originals that stretch beyond academic imitation.
Bates draws influence from a fairly novel place: Douglas' earliest writing from his days as a member of New and Used. The alternating pastoral melodies and angular urban funk of that seminal ...read more