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McCoy Tyner with Geri Allen and Kenny Barron at SFJAZZ

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McCoy Tyner with Geri Allen and Kenny Barron SFJAZZ San Francisco, CA January 18, 2015 Three of the jazz world's best known pianists recently came together at SFJAZZ in jny: San Francisco, California for a memorable triptych of styles. Heading the bill was piano patriarch McCoy Tyner. Now 76, Tyner initially made his mark as a pianist in the John Coltrane Quartet before moving on to compose as well as to front his own ensembles. ...

CD/LP/TRACK REVIEW

McCoy Tyner Trio: Inception

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Though two tracks from October 1960 were previously issued under McCoy Tyner's name, they were outtakes from John Coltrane dates where the saxophonist sat out. Inception marks the pianist's first proper release as bandleader, with the sessions for Impulse! taking place at Rudy Van Gelder's studio on January 10 and 11, 1962. Of the set's six tracks, four are Tyner compositions, with “Effendi" becoming something of a modern jazz standard and embraced, most notably, by pianist Ahmad Jamal.

CD/LP/TRACK REVIEW

McCoy Tyner: McCoy Tyner: Extensions

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Languishing off-catalogue for many years, McCoy Tyner's Extensions may be the pianist's most unjustly neglected album. Strange days, for not only is the music ineffably vibrant, but Extensions is the only recording ever to feature Tyner alongside pianist and harpist Alice Coltrane, who replaced him in saxophonist John Coltrane's group in 1966. The album has one foot in the echoes of John Coltrane's “classic quartet," of which Tyner was a member from 1960-65, and the other in the astral jazz ...

MIXED TAPE

McCoy Tyner: Vol. Three 1961

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Vol. One, 1959-60 | Vol. Two, 1960-61 | Vol. Three, 1961This music was recorded over a six month span but illustrates the breakneck speed with which the bleeding edge of jazz was transforming. In late May and early June 1961, McCoy Tyner was part of the John Coltrane group that recorded the ground-breaking Impulse! album Africa/Brass. By early November, the month that record was released, the core group of Coltrane, Tyner, Elvin Jones, Reggie Workman and notably, ...

MIXED TAPE

McCoy Tyner: Vol. Two, 1960-61

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Vol. One, 1959-60 | Vol. Two, 1960-61 The jazz world ushered in the 1960s with a fury of innovative change. A bold avant-garde stretched the form while also making accessible and engaging records. Across just nine months in one corner of that world,pianist McCoy Tyner played on a variety of sessions that together serve as a concise illustration of the ground bop was ceding to modality, melody and more. He began his tenure and apprenticeship with saxophonist ...

CD/LP/TRACK REVIEW

Chick Corea, Herbie Hancock, Keith Jarrett, McCoy Tyner: Chick Corea, Herbie Hancock, Keith Jarrett, McCoy Tyner

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Atlantic Records issued this collection 1976, featuring two tracks each from four of the most important pianists in the post-bop era. Excepting one piece, each pianist is represented here in trio format. The Keith Jarrett and Chick Corea offerings are from their own 1966 sessions as leaders. Jarrett contributes two original compositions and is joined by drummer Paul Motian and bassist Charlie Haden in pleasurable but somewhat conservative outings. Corea brings two different lineups: ...

MIXED TAPE

McCoy Tyner: Vol. One, 1959-60

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Vol. One, 1959-60 | Vol. Two, 1960-61 Most biographers rely on one of two creation myths for pianist McCoy Tyner's career: He first emerged from his native Philadelphia as part of saxophonist Benny Golson and trumpeter Art Farmer's Jazztet, or he had been known to, and gigged around town with, saxophonist John Coltrane as early as 1955, when Tyner was all of 17. Each version is true in its own way but neither tells the whole story. ...

LIVE REVIEWS

McCoy Tyner Trio with Gary Bartz: New York, NY, September 1, 2011

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McCoy Tyner Trio with Gary BartzBlue NoteNew York, NYSeptember 1, 2011 With all of the thunder and lightning he has summoned for more than fifty years, pianist McCoy Tyner kicked off eight sets over four nights at Manhattan's Blue Note Jazz Club on Thursday, September 1, 2011. This run was unique, compared to Tyner's typical Blue Note residencies, in that it was part of Generations of Jazz, a production of Quincy ...



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