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Matthew Halsall & the Gondwana Orchestra: When the World Was One

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Change, or at least an evolution of the Halsall sound, is very much in the air on this wonderful new record. Credited to Halsall and the Gondwana Orchestra there is a feeling of expansion of the musical palette, further steps on a satisfying journey towards the destination identified on 2012's transitional Fletcher Moss Park. That earlier record showed the way that Halsall was looking to evolve and shift his musical path--it began with pieces recorded in 2010 around the time of the Gilles Peterson Worldwide award winning On the Go, took in a couple of piano and bass-less ...

CD/LP/TRACK REVIEW

Matthew Halsall: Fletcher Moss Park

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In the small market town of Didsbury, a few miles south of the city of Manchester, lies Fletcher Moss Park. It's a little oasis of exotic greenery that contrasts with the history of the area as a heartland of the Industrial Revolution: it's also a place where trumpeter and composer Matthew Halsall finds comfort and relaxation. Halsall's fourth album, Fletcher Moss Park is a fitting acknowledgement of the meditative qualities of the park, an album full of Halsall's beautiful, spacious and spiritual music.The first three numbers on Fletcher Moss Park were recorded in 2010 and feature all of ...

CD/LP/TRACK REVIEW

Matthew Halsall: On The Go

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Sometimes it's best to get straight to the point, to stop beating around the bush and avoid going round in circles. This is one of those times. On The Go is superb, a finely-crafted, emotionally and spiritually engaging work that stands comparison with anything the jazz world currently has to offer, and with plenty of the finest from the jazz world's past. On The Go is the third album from trumpeter Matthew Halsall, one of a growing number of British jazz players who prefers to remain outside the London scene. Halsall's chosen base of operations is Manchester, ...

CD/LP/TRACK REVIEW

Matthew Halsall: Colour Yes

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Just gorgeous. Manchester-based trumpeter Matthew Halsall's second album ploughs the same delicate, acoustic, modal jazz furrow as his debut, Sending My Love (Gondwana, 2008). The lineup of fellow Mancunians is much the same too, with flautist Roger Wickham replaced by harpist Rachael Gladwin on three of the six tracks. Just so there's no mistaking where Halsall is coming from, the cover art is also a near-clone of that used on the first disc. Colour Yes will delight fans of the dreamy astral jazz played by pianist/harpist Alice Coltrane, and that of saxophonists John Coltrane and Pharoah Sanders in ...



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