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Marbin: Last Chapter of Dreaming

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Back in the 1970s, fusion used to mean one thing; the melding of jazz improvisation and chord structures with the stylistic eclecticism and pure energy of progressive rock. As a recognizable formula emerged, it became common to hear the exotic strains of various ethnic musics in a jazz-rock fusion context. By the late '70s, its emphasis shifted again towards more accessible pop and R&B-derived sounds driven by the economic demands of the time, leaving us with smooth jazz. The 21st ...

CD/LP/TRACK REVIEW

Marbin: Last Chapter of Dreaming

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Dani Rabin is a burgeoning guitar hero and could shred with the best of them, evidenced by this first-class band's third release, featuring guest spots by drummer Paul Wertico (Pat Metheny) and percussionist Jamey Haddad (Herbie Hancock, Joe Lovano). Marked by a diverse track mix and genre-busting compositional frameworks, the artists cross that imaginary boundary, where enviable technical acumen coalesces with tuneful motifs, equating to a highly listenable form-factor. Nonetheless, the meticulously sculpted production, yields gratifying qualities as the band ...

CD/LP/TRACK REVIEW

Marbin: Last Chapter of Dreaming

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Even on their eponymous debut Marbin's style was far from being derivative but with Last Chapter of Dreaming their third release in as many years they have matured and found their singular artistic voice. In a way this album expands on the themes and motifs expressed on their second Breaking the Cycle but the ideas are crystalized, excesses trimmed and the whole more cohesive.The cinematic ambience remains, imbued with poetry and subtle humor. “Breaking The Cycle" for instance ...

CD/LP/TRACK REVIEW

Marbin: Last Chapter of Dreaming

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Marbin--Israeli saxophonist Danny Markovitch and Israeli-American guitarist Dani Rabin--began as a duo in 2007, but now regularly plays with percussionist Justyn Lawrence and bassist Jae Gentile.Last Chapter of Dreaming is the group's fourth album if its first is considered to be Paul Wertico's Impressions of a City (Chicago Sessions, 2009), where the duo was the “Mid East" contingent of the ex-Pat Metheny Group drummer's Mid East / Mid- West Alliance, but Marbin (Self Produced, 2009) was its true ...

CD/LP/TRACK REVIEW

Marbin: Breaking the Cycle

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At its jazz-rock core, Marbin is the Israeli duo of guitarist Dani Rabin and saxophonist Danny Markovitch, sort of a Israeli version of Walter Becker and Donald Fagen, the essence of Steely Dan. Bassist Steve Rodby and drummer Paul Wertico, who cumulatively won 18 Grammy Awards as members of the Pat Metheny Group, provide the rhythm support for Marbin's second album and MoonJune debut; Wertico herewith returns the favor of Marbin's melodic contributions to the drummer's 2009 release Impressions of ...

CD/LP/TRACK REVIEW

Marbin: Breaking the Cycle

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Marbin's sophomore album Breaking the Cycle is very different than its eponymous debut. Gone is the Zen-like, expansive but quiet sound, in favor of a cinematic quality with intensely complex tunes full of color and texture. The lineup has also expanded from the duo of guitarist Dani Rabin and saxophonist Danny Markovitch to include bassist Steve Rodby, a few different vocalists and various percussionists--and, most notably, veteran drummer Paul Wertico, whose hypnotic and propulsive rhythms drive the opening “Loopy." A ...

CD/LP/TRACK REVIEW

Marbin: Marbin

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Categorizing Marbin's eponymous release as ambient jazz hugely underestimates its music. It is rather atmospheric, but also has enough improvisational substance to not just stay in the background. Marbin is the duo of guitarist Dani Rabin and saxophonist Danny Markovitz. The two also composed all the pieces on the record, ranging from the vaguely bluesy “Abadaba" and theatrical “Mei" (with added vocalese from Mat Davidson), to the Japanese-sounding “Crystal Bells" and gorgeous tango, “Cuba." The CD is ...

CD/LP/TRACK REVIEW

Marbin: Marbin

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There is an almost Zen-like quality to Marbin, saxophonist Danny Markovitch and guitarist Dani Rabin's debut as a duo. However, the quiet nature and perfectly still life of the music belies the poignant emotional underbelly that simmers constantly throughout the set. That this emotion is deeply personal is evident from the meditative--almost ponderous--nature of much of the music, but the conundrum is further heightened by the fact that what connects Marbin to their music is also a seemingly universal longing ...



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