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INTERVIEWS

Manu Katché: The Colors I See

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Manu Katché is one of those few names familiar to a large audience of quite different musical orientations. Along his career he has played with some of the most representative pop, rock, country, jazz--and even classical--musicians. Katché's immense adaptability and emulative spirit, together with the harmonic roundness of tone on his instrument, make him to an outstanding presence on the world's musical scene. His most recent album Manu Katché (ECM, 2012), comes to illustrate the stylistic accuracy, musical fluency, and ...

CD/LP/TRACK REVIEW

Manu Katche: Manu Katche

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A celebrated session drummer and solo artist, Manu Katche's infamous method of crafting a backbeat may parallel the lyrical, dancelike aura for which late jazz drummer Paul Motian was noted. However, Katche's jazz roots are largely evident via his small group formats for ECM Records. On this self-titled release comprised of a multinational quartet, rock-solid pulses, richly melodic content and resounding storylines exquisitely coalesce. But the differentiator lies within Katche's enthralling compositions, sheened by the breathy, wide-open ECM soundscape aura. ...

CD/LP/TRACK REVIEW

Manu Katche: Manu Katche

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Since joining ECM for Neighbourhood (2005), Manu Katché has carved out a very specific niche for himself at a label whose purview continues to broaden--with this French-Ivorian drummer, perhaps surprisingly so. Contemporary? Yes, Katché has fashioned a nearly four-decade career as a superb groove-meister, whether in the rock world with artists Sting or Peter Gabriel, or with more decidedly jazz-centric artists like saxophonist Jan Garbarek, on Dresden (ECM, 2009), or keyboardist Herbie Hancock, on his (admittedly more pop-oriented) The Imagine ...

CD/LP/TRACK REVIEW

Manu Katche: Third Round

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The art of making music that engages both the head and the heart is evidently not hard to pull off, but can be potentially self-defeating. But Manu Katché's exuberant and playful albums set new standards for brainy, soulful, and funky jazz, by blending his strengths as a composer and instrumentalist. His work as a drummer/composer/bandleader, much of it for ECM, shows Katché at his creative peak, stretching his capabilities to dizzying heights. The Third Round is the ...

INTERVIEWS

Manu Katche: Play As You Are

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Manu Katché is one of the most original drummers anywhere, defying categorization and straddling musical genres with ease and flair. A French national of Ivorian background, he has turned his hand to pop, rock, fusion and jazz, and his exposure to all these elements, plus his classical training, is indelibly stamped in a playing style all his own.

For over 20 years, Katché has toured and recorded with such iconic figures as Sting and Peter Gabriel, bringing his highly distinctive ...

CD/LP/TRACK REVIEW

Manu Katche: Third Round

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Drummer Manu Katché's third album as leader on ECM, largely follows suit of his previous two on the legendary German label. A spectacularly inventive drummer, Katché demonstrated on Neighborhood (ECM,2005) and Playground (ECM, 200 7) that he's also a composer of highly attractive tunes, characterized by strong melodies and a gently lilting lyricism, guided by his very personal drumming style. Third Round serves up more of the same though with subtle textural changes which reflect the change in personnel from ...

EXTENDED ANALYSIS

Manu Katche: Third Round

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Manu Katché Third Round ECM Records 2010

It would be beyond cute to suggest that Manu Katché marches to the beat of his own drummer. Still, in a career spanning three decades and regularly crossing over between pop, jazz and world music, the French kit-meister has demonstrated a unique propensity for groove and a distinct (and refreshing) avoidance of the “look at me" pyrotechnics so often encountered with drummers this talented. Since ...

CD/LP/TRACK REVIEW

Manu Katche: Playground

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It's great to hear drummer Manu Katché finally given the spotlight to present his qualities as composer/bandleader. His first album--It's About Time (BMG France, 1992)--was a flop, despite the many popular names participating. Neighbourhood (ECM, 2006), on the other hand, was a work of genius, presenting Katché's best qualities as a composer, arranger and player. It put him on the jazz map as more than a great sideman, which is how he's been most often perceived. Like Neighbourhood, ...



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