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EXTENDED ANALYSIS

Manfred Eicher: ECM - Selected Signs III - VIII

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When München's Haus der Kunst sponsored a nearly three-month exhibition about the ECM Records label, ECM: A Cultural Archeology, which ran from November, 2012 to February, 2013, there was far more to it than just bringing together collections of album covers, rarely seen video, archival tapes, imagery and concert performances. As much as ECM has carved a niche for itself as a label concerned about the whole package, including quality of sound, design and artwork, it is, after all, a record label, and one that has, in a history now spanning more than forty years, emerged as a singular, inimitable ...

ARTIST PROFILES

Manfred Eicher: Through the Lens

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It begins in silence, always silence. Since the 1990s, all ECM recordings begin with five seconds of silence, and so, too, do directors Norbert Wiedmer and Peter Guyer open their feature film on the heralded German record label and its enigmatic founder, Sounds and Silence: Travels with Manfred Eicher. As longtime ECM recording artist Keith Jarrett's performance of G.I. Gurdjieff's “Reading of Sacred Books," from the pianist's Sacred Hymns (1980), begins in the background, the film fades in on Eicher, sitting on a simple wooden chair beside an equally unadorned table, steeped in thought. Dissolving to the film's title, an ...



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