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CD/LP/TRACK REVIEW

Louis Hayes: Return of the Jazz Communicators

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Much like what has happened with Smalls Records, the cottage industry that Smoke jazz club started when they debuted their own record label last fall has continued to grow into a viable commodity. So too, there is common ground to the look and feel of each release, even as the color scheme and the music itself changes. For the label's 5th full release, they have documented a November 2013 set led by the mighty Detroit drummer Louis Hayes and his quintet. As the story goes, the original Jazz Communicators were formed back in 1967 when Hayes put together ...

LIVE REVIEWS

Louis Hayes Quartet: San Diego CA, May 10, 2011

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Louis Hayes Quartet Saville Theatre, San Diego City College San Diego, CAMay 10, 2011 Jazz legend Louis Hayes, a significant progenitor of modern percussion since the early 1950s, visited San Diego's Saville Theatre on May 10, and, with an elite group of local musicians, delivered a blistering set of post-bop, mainstream classics to an enthusiastic, sold-out crowd. Hayes, 74, a native of Detroit, first gained national prominence as a sideman with John Coltrane, (four albums on the Prestige label), and the quintets of Cannonball Adderley and Horace Silver. He went on ...

CD/LP/TRACK REVIEW

Louis Hayes: The Time Keeper

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If drummer Louis Hayes intended to recreate the classic sounds of, well, Louis Hayes recordings on The Time Keeper, he succeeded. In a set of tunes that includes two penned by Hayes, two by saxophonist Abraham Burton, and two by pianist Horace Silver for good measure, Hayes reminds why he's been a leader--and a leading sideman--for so many years.

As a time keeper, Hayes is impeccable. Never as boisterous as Art Blakey or as subtle as Philly Joe Jones, he's a recognizable voice on drums and, at 71, he's energetic; playing with passion, creativity, and still swinging.

MULTIPLE REVIEWS

Louis Hayes: The Time Keeper & Off The Cuff

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Louis HayesThe Timekeeper18th & Vine2009 Rick GermansonOff the CuffOwl Studios2009 Louis Hayes still ranks among the few hard bop legends that emerged during the '50s and '60s who still contribute to the contemporary jazz scene. Perhaps his most famous association was with Horace Silver but his next major gig arrived as part of Cannonball Adderley's ensemble, resulting in a collaboration that would influence his career to present-day as leader of the Cannonball Legacy Band. ...

RHYTHM IN EVERY GUISE

Louis Hayes at Showplace Studios

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Housed in the rear of a nondescript building on a busy northern New Jersey thoroughfare, Showplace Studios is a no frills workspace nearly devoid of worldly distractions. The Showplace consists of an office, a small lounge, a control room, and studio. Regardless of where you are in the compact area, everything is just a few steps away. Before the musicians arrive to begin the day's recording, the place is silent except for the low drone of the recording machinery. The only sign of life is a small TV in the lounge turned to CNN with the sound off. ...

MULTIPLE REVIEWS

Louis Hayes: Maximum Firepower and The Cannonball Adderley Quintet in San Francisco

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Louis Hayes spent six productive years as the drummer for Cannonball Adderley, appearing on around two dozen albums with the alto saxophonist between 1959 and 1965. Hayes' first record date with Adderley was The Cannonball Adderley Quintet in San Francisco and the drummer has since recorded extensively as a leader, particularly over the last decade. In recent years he founded the Cannonball Legacy Band to explore the repertoire of the late altoist. Louis Hayes and the Cannonball Legacy Band Maximum Firepower Savant 2007

It has been over four decades since Louis ...

CD/LP/TRACK REVIEW

Louis Hayes and the Cannonball Legacy Band: Maximum Firepower

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A group setting itself up as a legacy band runs the risk of unfair comparison with the original, particularly when the bulk of the material happens to be widely known music from the justly famed Cannonball Adderley combo. Although drummer/leader Louis Hayes worked for the alto saxophonist for six years and helped create some of the best-loved music in the Adderley canon, he is not immune to such comparison.

It's not that Maximum Firepower is a bad recording, but comparing such tracks as “Jessica's Birthday," “This Here," “Little Boy With the Sad Eyes" and “Sack O' Woe" to ...



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