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CD/LP/TRACK REVIEW

Komeda Project: Requiem

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Krzysztof Komeda is a figure of immense significance in Polish jazz, in effect the musician who both gave it its original authentic voice and marked its place in the world. In the 15 years before his death in 1969, Komeda was active as bandleader and film composer, scoring films by Roman Polanski like Two Men and a Wardrobe and Rosemary's Baby. Clearly influenced by Miles Davis, Bill Evans and John Coltrane, he found a profound affinity between modal jazz and ...

INTERVIEWS

Komeda Project: Bringing New Life to a Legend

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Komeda Project is dedicated to the music of the great Polish composer Krzysztof Komeda. Komeda died young--days before his 38th birthday. During his relatively short life, he composed numerous film scores and jazz tunes and was responsible for the seminal album Astigmatic (Muza Records, 1965)--one of Jazzwise Magazine's “100 Jazz Albums that Shook the World." It is unsurprising, then, that a band would wish to pay tribute to such a musician, and tribute bands and tribute recordings are common enough ...

CD/LP/TRACK REVIEW

Komeda Project: Requiem

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Komeda Project's Requiem is released 40 years after the untimely death of the great Polish composer and pianist Krzysztof Komeda, best known for his original soundtracks to Roman Polanski's films Knife in the Water and Rosemary's Baby, as well as his work with great Polish trumpeter Tomasz Stanko. The European-American Komeda ensemble--pianist/arranger Andrzej Winnicki, trumpeter Russ Johnson, saxophonist Krzysztof Medyna, and the new rhythm section of bassist Scott Colley and drummer Nasheet Waits--succeeds in updating Komada's compositions by reaching into ...

CD/LP/TRACK REVIEW

Komeda Project: Requiem

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Despite the snowballing emergence of European jazz musicians on the world stage, relatively few European jazz composers have, in 2009, made it into the global repertory, which continues to be dominated by American voices. Perhaps it always will be, and perhaps local singularities--Italian or British or Scandinavian or whatever--are in any case better treasured, rather than absorbed into a single, universal body of work. But the fact remains that a cornucopia of great “foreign" compositions remains neglected in jazz's birth ...

CD/LP/TRACK REVIEW

Komeda Project: Requiem

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With the magnificent Requiem, pianist Andrzej Winnicki and saxophonist Krzysztof Medyna solidify and enhance their reputations as the prime promoters of the essential music of the Polish pianist and composer Krzysztof Komeda (1931-1969). Komeda is widely recognized as the founder of modern Polish, and in a wider sense, European modern jazz. That he worked in Poland under Communist oppression is important. At its heart, jazz refuses to be pigeonholed, and it both allows and demands that its practitioners be utterly ...

CD/LP/TRACK REVIEW

Komeda Project: Requiem

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There's an awareness which is located deep within human nature that we're subject to both positive feelings as well as destructive impulses: Love and death, Eros and Thanatos, exist side by side. All great art is a mirror of the human condition and nobody understood better than the Polish composer and pianist Krzysztof Komeda that life as well as music is composed of light and darkness.

The dual nature of Komeda's music is captured perfectly in one of his masterpieces, ...

LIVE REVIEWS

The Komeda Project at the Cornelia Street Cafe

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Komeda ProjectCornelia Street CaféNew York, New YorkNovember 1, 2007 Jazz, because it is created in the moment by the performers pouring out their souls, has a way of getting inside you. Hearing jazz live, actually being there, intensifies the experience tenfold. Live jazz at the Cornelia Street Café is particularly rewarding because there is very little physical separation between the musicians and the audience. The Komeda Project at Cornelia Street was ...

CD/LP/TRACK REVIEW

Komeda Project: Crazy Girl

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This album is a rather unusual one, dedicated to 1960s Polish film scorer Krzysztof Komeda, who wrote music for films of the young Roman Polanski and Andraej Wajda. Some of the music on Crazy Girl was used for Polanski's, Rosemary's Baby (1968). Polanski used Komeda's music in almost all of his own films dating back to 1957's Two Men and a Wardrobe, and for the next decade, and credits Komeda with having composed the only major European soundtrack hit of ...



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