Amazon.com Widgets

Recent Articles

CD/LP/TRACK REVIEW

Lisa Maxwell with the Keith Ingham Quartet: Happy

Read "Happy" reviewed by

Lisa Maxwell's debut, Return to Jazz Standards (Self Produced, 2010), was well-received when released, marking the New York singer's recovery and comeback from a vocal cord disorder that sidelined her for several years earlier in the decade. Maxwell returns with Happy, a recital of not-so-standard standards, supported by Maxwell's coach, pianist Keith Ingham, and his fine quartet. The result is an evolution in cohesiveness and vision. In a word, Maxwell's Happy is breezy. Her voice has filled out in all the right places and betrays a youthful, scrubbed, girl-next-door coquettishness. “Pretty" and “unadorned" will also describe this ...

INTERVIEWS

Keith Ingham: Speaking On Jazz Piano History

Read "Keith Ingham: Speaking On Jazz Piano History"

Pianist Keith Ingham came to New York from England in 1979. While in England, he had been a pianist of choice for touring U.S. greats in Europe, such as trumpet great Roy Eldridge, Henry “Red" Allen, the famous New Orleans trumpet contemporary of Louis Armstrong, and saxophonist Bud Freeman. It was at the suggestion of such greats that Ingham came to America.By 1985, he had played piano for Benny Goodman, accompanying the master, then in his mid-70s, at a performance in Vermont. Occupying the room next to Goodman in the hotel, Ingham heard him practice. “You knew you ...

CD/LP/TRACK REVIEW

Keith Ingham Manhattan Swingtet: We're in the Money

Read "We're in the Money"

This ensemble lead by UK expatriate Keith Ingham patterns itself on those outstanding combos which let the Bop revolution pass them by and stayed with refined swing. The Manhattan Swingtet finds its inspiration in groups led by Teddy Wilson, Benny Goodman, Tiny Grimes, Ike Quebec, and Earl “Fatha" Hines. Perhaps the Ingham group is a bit more suave than these groups with its swing a bit more sophisticated. Even on tunes where the title hints at some wild things to come, there's a touch of restraint as on “Celestial Boogie" where Ingham moves over to the small upright celeste. But ...

CD/LP/TRACK REVIEW

Barbara Leigh and Keith Ingham: Barbara Lea and Keith Ingham Are Mad about the Boy-The Songs of Noel Coward

P>It's obvious that the producers of this album believe that the music of Noel Coward is under valued, especially in the United States and, more to the point, by the world of jazz. The liner notes assert that Coward's songs are as versatile as Gershwin, Kern and Berlin's and consequently jazz artists should be as anxious to record them as they are the material of these icons of American popular music. That Coward was a genius is not disputed. He produced more than 60 plays, revues, musicals and operettas. At one time, he had four productions running simultaneously in London's ...



Support All About Jazz Through Amazon

Weekly Giveaways

Mark Elf

Mark Elf

About | Enter

Stefano Bollani

Stefano Bollani

About | Enter

Carmen Lundy

Carmen Lundy

About | Enter

Wadada Leo Smith

Wadada Leo Smith

About | Enter

Sponsor: Nonesuch Records | BUY NOW

Enter it twice.
To the weekly jazz events calendar

Enter the numbers in the graphic
Enter the code in this picture

Log in

One moment, you will be redirected shortly.

or search site with Google