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CD/LP/TRACK REVIEW

Kate McGarry and Keith Ganz: Genevieve & Ferdinand - Live

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All About Jazz colleague Dan Bilawsky indulges no hyperbole when he describes vocalist Kate McGarry or Genevieve and Ferdinand: Live: “There is no greater beacon of sincerity, honesty and emotional purity than Kate McGarry...Genevieve & Ferdinand doesn't contain bold proclamations or daring musical acts, but it's filled with some of the most genuine music that anybody is likely to ever hear." High praise indeed, but Kate McGarry, along with Gretchen Parlato, Sara Gazarek, Becca Stevens, Rebecca Martin and Tierney Sutton make up the most significant jazz vocal movement since Cassandra Wilson released Blue Light 'Til Dawn (Blue Note) in 1993. ...

CD/LP/TRACK REVIEW

Kate McGarry and Keith Ganz: Genevieve & Ferdinand - Live

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Kate McGarry has always defied easy classification. She's a jazz singer, and a folk singer too; she could also be filed under mainstream pop, but then, what's all that esoteric Brazilian music doing in her repertoire? The answer is simple: McGarry is her own genre, applying her clear and beautiful voice to whatever material speaks to her soul. This is obvious on Genevieve and Ferdinand, where she's equally passionate and expressive whether interpreting the American Songbook, James Taylor, Toninho Horta, or her own pensive original; her signature eloquence is especially intimate here, when her only accompaniment is her ...

CD/LP/TRACK REVIEW

Kate McGarry and Keith Ganz: Genevieve & Ferdinand

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There is no greater beacon of sincerity, honesty and emotional purity than Kate McGarry. She's proven it time and again, whether singing standards, modern day favorites, originals or obscurities, and she does so once more on Genevieve & Ferdinand. In some ways this album marks a new beginning for McGarry; it's her first live album, first duo recording, and first release on the Sunnyside imprint. All of that might lead people to believe that McGarry's starting with a blank slate here, but nothing could be further from the truth. She actually capitalizes on her own history and ...

LIVE REVIEWS

Kate McGarry/Keith Ganz Duo Palooza: New York, NY, April 20, 2013

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Kate McGarry and Keith Ganz Duo55 BarNew York, NYApril 20, 2013 Informality and high art don't typically walk hand-in-hand but, every now and then, when the stars align, these two ideals find a happy marriage. Such was the case when vocalist Kate McGarry and guitarist Keith Ganz came into town to play a gig at 55 Bar. This unassuming basement nightspot plays host to some of the finest musicians around, yet it remains one of the most casual jazz haunts in the city, ready to welcome those in-the-know or the curious who simply walk ...

CD/LP/TRACK REVIEW

Kate McGarry: Girl Talk

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There are many reasons to like vocalist Kate McGarry's Girl Talk.There's the lively set list, first of all--a mix of all-too-well-known and too-little-known standards, with a fine Brazilian number thrown in. There's the uniform excellence of the band: witness Gary Versace's idiomatic organ accompaniment on “Girl Talk"; guitarist Keith Ganz--sensitive throughout, but especially on the forlorn folk tune “Looking Back"; the stately Brazilian duet “O Cantador," with Kurt Elling; and bassist Reuben Rogers' nice feature on “I Just Found Out About Love."McGarry herself approaches every mood and tempo with ease and assurance. Her bluesy reading of ...

NITE & DISK

Kate McGarry: Beauty and the Bus

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The BusI recently drove into the Big Apple to see singer Kate McGarry's band celebrate the release of their Girl Talk CD (Palmetto, 2012) at the Jazz Standard. It was a stressful drive, given the rush-hour timing and need to watch for idiots steering two tons of metal with their knees as they text “Wassup?" to their friends.But when I finally reached the club, I came upon a legal parking place, right there on the street. Huzzah! So I quickly lined up for the swoop, shifted into R, and ...a taxi zipped in to let somebody ...

CD/LP/TRACK REVIEW

Kate McGarry: Girl Talk

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While the world has no shortage of fine female singers, few have the musical depth, sense of passion and artistic ambitions of the divine Kate McGarry. It's doubtful that any other jazz singer could convincingly cover The Cars, weave their way through pianist Fred Hersch's take on Walt Whitman's Leaves of Grass, and triumphantly match wits, wisdom and sounds in the vocal super-group known as Moss. She even managed to transfix a discerning 2011 Newport Jazz Festival audience during a monsoon-like storm while singing with John Hollenbeck's Large Ensemble. McGarry's public labeling as a “jazz singer" is ...



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