Recent Articles

CD/LP/TRACK REVIEW

Jon Mayer: The Art of the Ballad

Read "The Art of the Ballad" reviewed by

Jon Mayer not John Mayer. This particular Mayer is a jazz pianist currently living on the West Coast who has been plying his Jazz trade in one form or another since the mid-1950s. Early on, Mayer played on two notable sessions: alto saxophonist Jackie McLean's Strange Blues (Prestige, 1957) and on the John Coltrane sessions recorded between 1958 and 1960 that eventually became Like Sonny (Roulette, 1990). Mayer did a stretch in Paris in the late '50s where he periodically supported Chet Baker during his expatriate period. Mayer previously recorded seven CDs as a leader, including Nightscape ...

CD/LP/TRACK REVIEW

Jon Mayer: Nightscape

Read "Nightscape" reviewed by

Jon Mayer was working professionally as a jazz pianist as a teen back in the '50s, while attending the Manhattan School of Music. As well as working as a sideman with Tony Scott, Kenny Dorham, Chet Baker, the Thad Jones/Mel Lewis Orchestra, Sarah Vaughan and others, along with taking part in record dates with John Coltrane and Jackie McLean, Mayer contributed original pop songs to a number of vocalist record dates, though he did not make his recording debut as a leader until 1995 with Round Up the Usual Suspects (Pullen Music). During the past decade, Mayer ...

CD/LP/TRACK REVIEW

Jon Mayer: Nightscape

Read "Nightscape" reviewed by

New York-born, Los Angeles-based pianist Jon Mayer began his musical career in the New York jazz scene of the 1950s and 1960s. He has a long and distinguished pedigree, including work with Jackie McLean and John Coltrane, but his first recording as leader came as late as 1996, with Round Up The Usual Suspects (Pullen Music). Nightscape is Mayer's eighth album as leader and it's an engaging, beautifully performed, collection of tunes. As with Mayer's previous albums as a leader, this is a trio recording, the pianist reprising the line-up from his last release, So Many Stars ...

CD/LP/TRACK REVIEW

Jon Mayer: So Many Stars

Read "So Many Stars" reviewed by

The craft of the jazz piano trio is a challenging one; and in a sea of fine trio recordings, it is hard to come by a performance that is just not merely good, as most are, but sublime. When one comes along; it is time to be excited, and So Many Stars is the one to be excited about.

What are the ingredients of the perfect jazz piano trio recording? One is competent leadership, in this case pianist Jon Mayer, whose previous recordings--My Romance (Reservoir Music, 2005), The Classics (Reservoir Music, 2004), Full Circle (Reservoir Music, 2002), and Rip Van ...

CD/LP/TRACK REVIEW

Jon Mayer: The Classics

Read "The Classics" reviewed by

This is hard bop pianist Jon Mayer’s fifth release since he resurfaced on the Los Angeles music scene in the early ‘90s after more than twenty years away from jazz, having last been sighted and heard in the Big Apple at the Jazz Gallery June 26th. He first made his mark here in the late ‘50s and the ‘60s playing with Kenny Dorham, Tony Scott, Pete LaRoca [Sims], Jackie McLean and John Coltrane, among many others, while in his late teens and 20s.

Mayer recorded The Classics in New York last year with his trio, featuring bassist Rufus Reid and ...

ARTIST PROFILES

Jon Mayer

Read "Jon Mayer"

By Ken Franckling After at least 13 years away from music entirely, and another 13 years rebuilding his life - and his chops - Jon Mayer is ready to take on the challenges of his hometown. “My life has taken a few twists and turns. This is my first legitimate jazz appearance [in New York] in more years than I care to remember, the veteran bebop pianist says from his southern California home. “There are a few people who remember what I may have done back in the day, and many who don't. But because of my ...

CD/LP/TRACK REVIEW

Jon Mayer: The Classics

Read "The Classics" reviewed by

Although Jon Mayer got his start in New York in the “glory years” of jazz, he is only now just coming into his own as a jazz pianist of note. Born in 1938, Mayer was raised in Washington Heights, and after graduating from the High School of Music and Art in Manhattan in the mid- to late-‘50s and briefly attending the Manhattan School of Music, he immersed himself in the thriving NYC music scene, playing with the likes of Kenny Dorham, Tony Scott, Pete (LaRoca) Sims, and Ray Draper.

He even recorded with two of the most ...



Sponsor: ECM Records | BUY NOW

Enter it twice.
To the weekly jazz events calendar

Enter the numbers in the graphic
Enter the code in this picture

Log in

One moment, you will be redirected shortly.

or search site with Google