Variable Formations was recorded at a gig at London's Café Oto in February 2013. The music on it was the final set of the evening, having been preceded by a solo piano set from John Tilbury in which he used themes and sound samples from the 1939 film The Adventures of Sherlock Holmes, a semi-improvised duo set from violist Johnny Chang and Canada-born synth player Jamie Drouin who were visiting from Berlin, and a trio set from violinist Angharad Davies, ...read more
The trio of saxophonist John Butcher, synthesiser player Thomas Lehn and pianist John Tilbury had a certain inevitability about it. Although they had not recorded together prior to this album, each of the three possible pairs had done so--Lehn and Tilbury when the Englishman recorded the extraordinary The Hands of Caravaggio (Erstwhile, 2002) with MIMEO of which Lehn was a member, Butcher and Tilbury when the saxophonist joined AMM to record Trinity (Matchless, 2008), and Butcher and Lehn when the ...read more
If it weren't for the sound of one hand clapping, we would have no resonance at all.That snarky summation might best describe this hour-long duo performance by former AMM ensemble band mates Keith Rowe and John Tilbury. Like the zen koan one hand clapping," this music evokes an almost instantaneous meditation.Recorded just outside of Paris in December 2010 at Les Instants Chavirés, this duo brings together two legends of British improvisation not heard together on record ...read more
Pianist John Tilbury is renowned not only for his work in AMM and his other improvising, but also as a peerless interpreter of such contemporary composers as Morton Feldman, John Cage, Christian Wolff and Howard Skempton. He is uniquely well positioned to reflect on the similarities and contrasts between improvising and playing repertoire. Tilbury's biography of his friend, associate and erstwhile member of AMM, Cornelius Cardew, which took him over two decades to write, ...read more
Lost Daylight has been a long time arriving. It has been much trailed, and eagerly anticipated since 2008, as indicated by its low catalogue number, at10. Now released as part of Another Timbre's piano series, alongside at24 and at25, good things are always worth waiting for--and this release proves the truth of that adage. Quite simply, it is a gem.
Although, perhaps, best-known for his long-established membership in AMM and his other improvised work, pianist John Tilbury is ...read more