John TaylorGiulia's ThursdaysCam Jazz2012There has been a flurry of activity around film music this spring/summer 2012, all of it good. Warner Jazz has released an anthology of movie themes written by the Italian composer Nino Rota, Collector Nino Rota; Alex Sutton's piano trio took northern European movie composers as its inspiration on Legentis (F-IRE); and University of Illinois Press has published John Caps' biography, Henry Mancini: Reinventing Film Music.British pianist John Taylor's Giulia's Thursdays is a tribute to another Italian film and TV composer, Carlo Rustichelli. It is the fourth ...read more
It's been three years since John Taylor's last trio disc, but this time the British pianist takes a small detour, rather than continue the winning streak of Angel of the Presence (Cam Jazz, 2006) and Whirlpool (Cam Jazz, 2008). Requiem for a Dreamer reunites Taylor with his longstanding trio--Swedish bassist Palle Danielsson and British drummer Martin France--but with the addition of saxophonist Julian Argüelles., he makes an inspired choice, capitalizing on the chemistry of the trio while adding a fourth voice who provides some fresh blood without being an entirely unknown quantity. Taylor has long followed a ...read more
John Taylor/John GeggieNational Arts Centre Fourth Stage Ottawa, Canada October 9, 2010 After an impressive start to its 2010 Fall/Winter Series, the TD Ottawa International Jazz Festival kept the momentum up by bringing another of modern jazz's finest pianists to town, less than a week after Chick Corea and his latest trio, with bassist Christian McBride and drummer Brian Blade, delivered a well-received show at Dominion Chalmers Church the previous Sunday. John Taylor so rarely makes it to North America that husband and wife Josh and Min Rager--both fine pianists in their own rights--not only caught ...read more
As much as he's become a major proponent of the piano trio tradition, John Taylor is gradually building a solo piano discography that may not be as voluminous or popularly acclaimed as those of Keith Jarrett's, but certainly bears comparison as much for its substantial differences as for any perceived similarities. While Taylor himself would cite Jarrett as being an influence alongside Bill Evans and Chick Corea, Phases further distances him from his roots, demonstrating ongoing growth from previous solo efforts Insight (Sketch, 2003) and Songs and Variations (Cam Jazz, 2005).
Jarrett largely approaches solo performance ...read more
For his follow-up to the remarkable Angel of the Presence (Cam Jazz, 2006), John Taylor continues to mine the strong chemistry between himself, bassist Palle Danielsson and drummer Martin France. It's a more balanced set this time around, with three of the pianist's own compositions alongside three by longtime musical compatriot Kenny Wheeler, one jazz standard and a surprising reinvention of a classical piece by Gustav Holst.
Quietly, and without much fuss, Taylor has gradually emerged as one of the most important pianists of the past forty years. His lineage may include the romanticism and impressionism ...read more
John Taylor is the pianist of weightlessness. Although overly simple, this aphoristic description of the English virtuoso's dense yet liberated musical discourse renders justice not only to its inherent quality, but to the effect it imparts to listeners. Suspended above an evanescent pulse, swift, jolted rhythms loose their grip; upwardly clouting modulating, mellifluous aural jaunts of texturally multifarious phrases and voicings. Tones, pristine and silvery, jump out like garish colors on a De Kooning canvas. Projects featuring his playing have a certain touch of sophistication and class, which he brings steadfastly. A plum listening experience, indeed, for fellow musicians and ...read more
It would be easy to call Pure and Simple a John Taylor project, since all the charts are his and he's a featured soloist on every track. But, as was the case with the Australian Jazzgroove Mothership Orchestra's The Mothership Plays the Music of Mike Nock (Jazzgroove, 2006), that would be a mistake. As part of CAM Jazz's CAM Jazz Presents series, aimed at creating exposure for some of today's younger jazz talents, it's important to delineate this as an homage by the young Guildhall Big Band, with Taylor featured as guest pianist.
Britain's world-renowned Guildhall School of Music and ...read more
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