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CD/LP/TRACK REVIEW

John Law / Yuri Goloubev / Asaf Sirkis: Three Leaps of the Gazelle

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Making changes in a trio can be risky a thing. If there's a special chemistry in a group, the slightest change in the lineup could spoil the magic of the music. For years, pianist John Law has had an effective formula with his Art of Sound Trio, with drummer Asaf Sirkis and bassist Sam Burgess, but Three Leaps of the Gazelle announces a significant change: Burgess is replaced by bassist Yuri Goloubev, a virtuoso musician and an old acquaintance of the pianist. Fortunately, this change only adds to the qualities of the music.Like Law himself, Goloubev has a ...

CD/LP/TRACK REVIEW

John Law / Mark Pringle: This is

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Traditionally, the art of the piano duo has been linked to classical music, and almost every significant classical composer, from Mozart to Maurice Ravel, has written music for two pianos. In jazz, however, this particular medium is somewhat rare, and although Bill Evans recorded Further Conversations with Myself (PolyGram, 1967), where he overdubbed himself on piano, decidedly pure piano duos in jazz have been scarce, with An Evening with Herbie Hancock and Chick Corea: In Concert (Columbia, 1978) being one of the more well-known highlights of the idiom. Recently, however, with genres being dissolved and more and ...

LIVE REVIEWS

John Law, Sam Burgess, and Asaf Sirkis at Norwich Arts Centre, UK

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John Law, Sam Burgess, and Asaf Sirkis Norwich Arts Centre Norwich, UK November 30, 2009

The piano trio is a well-established jazz line-up, and its popularity is at something of a high on the British scene. The apparent ubiquity of the format makes it difficult to see how there can be room for originality, then along comes the combination of pianist John Law, bassist Sam Burgess and drummer Asaf Sirkis and such concerns go out of the window. The trio is one of the most distinctive groups around, as it showed during ...

INTERVIEWS

John Law: Deeper into the Music

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Classical music and jazz are often perceived as two radically different art forms that cannot be merged. Historically, the idea of a so-called “third stream" that is able to combine the language of jazz and classical music into a coherent whole has proved rather difficult to translate into praxis, and yet it is undeniable that a bond, however fragile, exists between the two musics. This was evident from the very beginning, with pianist Scott Joplin's ambition to create a musical language equal to that of the classical masters. The widespread notion of jazz music as the classical music of America ...

CD/LP/TRACK REVIEW

John Law / Sam Burgess / Asaf Sirkis: Congregation: The Art of Sound Volume 4

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In music, the material of the artist is sound. Music is the shaping of sound. It's no coincidence, then, that British pianist John Law has named his ambitious tetralogy The Art of Sound. The final installment, Congregation: The Art of Sound Volume 4, finds Law working with the same trio--bassist Sam Burgess and drummer Asaf Sirkis--as he did on the very first release in the series, The Art of Sound (33 Jazz, 2007).

One of the advantages of the series is that it changes between solo recitations and group work, while still working with a core repertoire. Thus, ...

CD/LP/TRACK REVIEW

John Law Quartet: Abacus

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Classically trained pianist, John Law took a shining to jazz while in his 20’s and eventually teamed up with some of Europe’s best and brightest free jazz artisans yet subsequently decided to tone matters down a bit. Here, Law aligns with American drummer/composer Gerry Hemingway for a spirited set also featuring Law’s longtime associates, saxophonist, Jon Lloyd and bassist, Tim Wells.

Marked by the leader’s linear lines, spaciously perpetuated statements and limber left-hand, right-hand coordination, the quartet pursues peppery rhythms and a festive atmosphere on the opener, “Ouverture”. However, the ensemble frequently melds austere overtones with booming patterns and reverberant ...



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