Guitarist Joe Morris and keyboardist Jamie Saft follow-up the 2013 Rare Noise Records release Slobberpup in a similar vein by locking into another improvisational fest. Once all the audio processing equipment is ready to roll, it's time for instantaneous compositional forays, as they let the chips fall where they may. Morris' former student, guitarist and rising star Mary Halvorson, along with the prominent rhythm section of bassist Chris Lightcap and drummer Gerald Cleaver steer an asymmetrical rhythmic course. However, the smoky audio sound inadvertently or perhaps intentionally tenders a clustering effect that accentuates the holistic group aura in contrast to ...read more
One of the main talking points regarding Graffiti In Two Parts, and perhaps the reason this session from 1985 has finally seen the light of day, must be the participation of the erstwhile pianist Lowell Davidson. After studying biochemistry at Harvard University, he moved to New York and played with Ornette Coleman who urged the ESP Disk label to record him. If the pianist is known at all, it is for the obscure but acclaimed Lowell Davidson Trio (ESP Disk, 1965) with bassist Gary Peacock and drummer Milford Graves. Davidson (who also played drums in an early lineup of The ...read more
Guitarist Joe Morris is on a roll. Hardly a month goes by without a new release featuring the Boston-based musician. Of course, he doubled his chances by adding acoustic bass to his armory alongside his six-stringed axe. It's the latter he wields on this trio date featuring bassist William Parker and drummer Gerald Cleaver, captured at New York City's Stone in June, 2011. Strangely, given their long acquaintance, this is the first time this particular combination has recorded, though each knows the others well from other collaborations. Cleaver and Parker form two-thirds of improvising collective Farmers By Nature, while Parker ...read more
Of all the possible combinations and permutations of modern improvising jazzmen, it's a wonder that the trio of guitarist Joe Morris, bassist William Parker and drummer Gerald Cleaver have never worked together as a unit. Luckily in 2011, at the urging of label chief Steven Joerg, the trio got together for two sets at The Stone in New York as part of a two-week AUM curated series.Much like on Cleaver's previous release with Parker and pianist Craig Taborn entitled Out of This World's Distortions (AUM, 2011), this ensemble performs in a seemingly leaderless fashion. Each player subscribes to ...read more
Family Ties is São Paulo-born saxophonist Ivo Perelman's sixteenth release for Leo Records and the sixth named after one of Brazilian novelist Clarice Lispector's intense psychological works of fiction. Each of the record's six pieces is similarly titled after a short story from the aforementioned collection, yet the album's designation offers a broader, more salient interpretation when considering the deep rapport shared between Perelman and his current sidemen.2011's The Hour of the Star (Leo Records) presented the debut of Perelman's powerful all-star quartet with pianist Matthew Shipp, upright bassist Joe Morris and drummer Gerald Cleaver. As the first ...read more
Her boyfriend might have left Janis Joplin with nothing, as she asserts in her classic version of Kris Kristofferson's Me and Bobby McGee," but Ivo Perelman refutes Joplin's claim that freedom's just another word for nothin' left to lose" on Family Ties.The Brazilian saxophonist has returned to recording with a deluge of releases, this outpouring being inspired by his latest quartet, three-quarters of which are represented here. Missing is pianist Matthew Shipp, who is heard on the The Hour Of The Star (Leo Records, 2011).In many ways though, this remains a quartet record, as Shipp's presence ...read more
Influential improvising guitarist Joe Morris ignites luminous imagery that casts a musically minded paradigm on how the diffraction of light may traverse a camera lens. However, individual interpretations can yield other enticing persuasions on Camera, engineered upon the grouping of stringed instruments and drums. Street Scene" exemplifies Morris' clever articulations via fluttering storylines, largely executed at a brisk pace. Drummer Luther Gray lays out a peppery backbone for the soloists' dissecting call-and-response patterns, where subliminal nods to blues, modern jazz, and avant chamber fuse into a jovial, yet somewhat unlikely medium. Morris blazes a furious single-note ...read more
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