Movin' Up is the perfect CD for those who like their jazz straight up and swinging, as well as both traditional and imaginative at the same time. These adjectives also describe uberdrummer Joe Ascione, the versatile, first-call sideman who's been on hundreds of other people's CDs. Recorded in October of 2007, this is only his third album as leader, and it's a corker from beginning to end.
To be more specific: Movin' Up begins with the infectious title ...read more
The Frank & Joe Show's second release finds the group expanded to a sextet--lead guitarist Frank Vignola and percussionist Joe Ascione add rhythm guitarist Ken Smith, bassist Gary Mazzaroppi, and percussionists Chuck Ferruggia and Rich Zukor to the roster (the disc also includes one vocal apiece by Jane Monheit and Janis Siegel). The show opens with Rodgers and Hammerstein's standard It Might As Well Be Spring done with a samba-like beat. Vignola plays the melody, then goes off ...read more
Joe Ascione is a first-call, universally-respected drummer who has been on about 70 records to date. In one of their frequent bizarre choices, the All Music Guide to Jazz omits Ascione, while including Fred Astaire, but the Penguin Guide says his CV has stretched from Cab Calloway to Donald Fagen, and he seems at home in any style from swing onwards." A player full of energy, joy, and imagination, Ascione is also a very bright and funny guy.
Guitarist Frank Vignola and drummer/percussionist Joe Ascione recently marked their one-year anniversary of Sunday night gigs at New York's Sweet Rhythm with the release of this wonderfully quirky album that defies definition. How else can you describe a recording that features the theme from an old cartoon show, a rock era pop tune, Cole Porter and Rimsky-Korsakov all on the same disc?
Vignola and Ascione have long established themselves as younger musicians with both an appreciation for swing and ears ...read more
Back in the 1960s, after the British Invasion, it seemed every block had a band and anyone who knew three chords on a guitar joined in. Maybe they couldn’t really play guitar, and the drummer might have sounded like he should be washing pots and pans, not banging on them. But it was all among friends and it was fun. It was a feeling.Imagine if such a feeling were to be transposed to those who actually knew what ...read more
If you were in New York City some Sunday night and you should chance to wander by the nightclub Sweet Rhythm, you would experience a musical happening of ever-increasing proportions. There, guitarist Frank Vignola, percussionist Joe Ascione, and “their merry band of music makers” hold court for an ever-expanding group of devotees. What makes these events noteworthy is the breadth of different musical dialects spoken: gypsy swing, breezy island melodies, cowboy kitsch, Latin and Spanish-tinged evergreens—or should I say cacti?—and ...read more
Joe Ascione’s “buddy” is surnamed Rich, and this Nagel–Heyer release is Ascione’s enthusiastic and colorful salute to the drumming wizardry of one of his heroes and role models, Bernard “Buddy” Rich. Ascione, 35 years old when this recording was made (in November ’96), first encountered Rich via recordings in the early ’70s, an experience he recalls with wide–eyed amazement: “I could not believe what I was hearing! . . . I imagined myself listening to several drummers rolled up into ...read more
When you’re hot, you’re hot. On November 2, 1996 this band took the stage in a Count Basie tribute, billed as the New York All Stars. The next day they entered the studio in a salute to Buddy Rich. The charts are looser, the feeling relaxed – the swing in full bloom. And Joe Ascione (he toured with Buddy’s band – he set up the drums!) is far from the Papa Jo riffs of the night before. With a mixed ...read more