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CD/LP/TRACK REVIEW

Jessica Williams: With Love

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Successful musicians play “the truth." If you want to hear some truth there are certain artists you can seek out. Thelonious Monk couldn't play anything but the truth, right from the beginning. Pianist Jessica Williams came upon the truth--a purer form of it, at least--after experiencing “the fix of Illness" that she has discussed on her website and in interviews. Her first “fix" came about via her struggle with hypothyroidism, and resulted in a string of gorgeous recordings on Origin Records: Songs for a New Century (2008), Art of the Piano (2009), Touch (2010), and Songs of Earth (2011).

CD/LP/TRACK REVIEW

Jessica Williams: Songs of Earth

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Jessica Williams, with her last four CDs on Origin Records, is like a butterfly coming out of its cocoon. Earlier in her career, Williams--who once held the piano chair in drummer Philly Joe Jones band--wrapped her artistry in the Great American Song on Some Ballads Some Blues (Red and Blue, 1999), along with stellar tributes to departed star pianists Art Tatum and Thelonious Monk.Around the beginning of her teaming with Origin Records--in conjunction with the creation of her own Red and Blue Records label--Williams, always a top level musician with huge technique, began to blossom. With her Origin ...

CD/LP/TRACK REVIEW

Jessica Williams Trio: Freedom Trane

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It is no coincidence that pianist Jessica Williams draws inspiration and energy from saxophonist John Coltrane, another iconoclast whose dogged pursuit of his individalistic muse stood in defiance of trends, customs, critics, and marketplace concerns. Like Coltrane, Williams prides herself in being relentlessly faithful to her own standards of how to play and how to market her music. While that enables her to be a fiercely independent talent, it has also made her an underrated one.On her solo piano outings, such as The Art of the Piano (Origin Records, 2009), Williams' playing is engaging while remaining serious and ...

EXTENDED ANALYSIS

Jessica Williams: Freedom Trane

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Jessica WilliamsFreedom TraneOrigin Records2011 Jessica Williams, one of our top jazz pianists, has evolved since she tossed the record company expectations and jazz games out the window into the thorny rose bushes, and sought out her own way, and found it, via the establishment of her own record label, Blue & Red Records, and with the work she has done for Seattle's Origin Records. Songs for a New Century (Origin Records, 2008), and her tribute discs exploring the works of pianists Thelonious Monk, Deep Monk (Blue & Red Records, 2008), and ...

INTERVIEWS

Jessica Williams: Musical Truths

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Pianist Jessica Williams begins a free-wheeling and fascinating conversation with a fan by thanking him for the kind words he has spoken about her music. Then she adds: “But you don't always have to say kind words, you know, as long as you always say the truth."It's advice that is very much in character with the artist who has, in the past few years, been on a quest for musical truths, as well as for peace and love, the words she may write on one of her CDs if requested to sign.Williams is intelligent ...

EXTENDED ANALYSIS

Jessica Williams: Touch

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Jessica WilliamsTouchOrigin Records2010 Pianist Jessica Williams continues to evolve, and what a pure music lover's joy it is to hear an artist entering her sixth decade on a roll, growing and expanding her vision. Classically trained at the Peabody Conservatory, jazz-trained in the bands of Philly Joe Jones, Tony Williams, Stan Getz and others, Williams furthered her education with her own--more than seventy--albums/CDs as a leader.Always a high level jazzer, Williams rose to the top ranks of her craft when she started her own Red and Blue Records. Three ...

CD/LP/TRACK REVIEW

Jessica Williams: The Art of the Piano

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Jessica Williams has been playing piano since she was four years old, and realized early on that she wanted to continue doing so for the rest of her life. Her choice is our reward. The Art of the Piano, a solo piano set, was recorded in May 2009 at the Triple Door in Seattle, WA. The first two numbers, “Triple Door Blues" and “Esperanza," are followed by enthusiastic response, after which the audience inexplicably disappears, returning at the end of track six, “Prophets," then vanishing again before applauding the finale, John Coltrane's “Lonnie's Lament."

Besides composing six of the album's ...



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