Violinist Jeff Gauthier has been a leading figure in cutting-edge jazz on the West Coast since the mid-'70s. As a leader, he's produced half a dozen compelling works with his band of 20 years, The Jeff Gauthier Goatette. Open Source (Cryptogramophone, 2011) finds the quartet grown to a quintet, with trumpeter John Fumo bringing added fire to what was already one of the most exciting combos in modern jazz. Open Source blends folkish, pastoral airs with a very modern jazz aesthetic typified by the unclassifiable, yet always arresting, playing of guitarist Nels Cline. Drummer Alex Cline and bassist Joel Hamilton ...read more
Open Source would have made a good alternative name for violinist Jeff Gauthier's ensemble, as it draws inspiration from myriad sources. Goatette continues its near twenty-year journey into territory ranging from avant-garde and sci-fi soundscapes, and deep funk grooves colored by searing electric guitar, to an altogether more pastoral melodicism reminiscent of the Mahavishnu Orchestra at its most serene. Now a sextet with the addition of trumpeter John Fumo, the widely traveled musician steers a course between post-bop and electric jazz-fusion. His voice, whether striding out on his own or blending beautifully with Gauthier's violin, makes a great impression and ...read more
When two-thirds of a group has effects" in their instrumental credits, it's a safe bet this ain't your granddaddy's jazz. When it's violinist Jeff Gauthier's Goatette, punctuating the quirky theme in the first moments of 40 Lashes (With Mascara)" with thundering drums and high-octane power chords, it's clear that Open Source is going to make plenty of demands--and not just on the musicians who play it. Any group featuring the intrepid Cline twins--guitarist Nels and drummer Alex--is going to be, at the very least, an eclectic one, so it's also no surprise that Open Source travels effortlessly ...read more
Violinist/producer Jeff Gauthier is well-known for his cutting-edge solo work and being a proponent of his label's crystalline, sonic engineering process, where most all the details and nuances can be detected, even with low-budget stereo equipment. The Goatette's third release continues to demonstrate the musicians' nearly telepathic interactions amid an abundance of structured and improvisational components.
The quintet clearly projects a mark of distinction and from a stylistic perspective it might be somewhat of an anomaly to rigidly pigeonhole its sound and scope. It pursues an acoustic-electric brew that contains dreamy and lush mainstream jazz parts amid torrid ...read more
With over three decades playing in some of L.A.'s most innovative and interesting musical projects, violinist/composer Jeff Gauthier threatens to succumb to the irony of being better known as the founder/CEO of Cryptogramophone Records. Now in their tenth year, Cryptogramophone has outgrown underground status, even meriting a feature in trendy Details magazine. Boasting a roster including Nels Cline, Vinny Golia, Peter Erskine, Don Preston, Steuart Liebig, Alex Cline, and Gauthier's Goatette, Cryptogramophone also provided a safe haven for the long awaited creative rebirth of Bennie Maupin. Gauthier produced sessions regularly win glowing notices, and the label's artistic cred far outweighs ...read more
Los Angeles based violinist Jeff Gauthier's fifth recording as a leader, House of Return is the third album to feature the capable talents of his self-coined Goatette. A veteran quintet of stellar West Coast improvisers, Gauthier and company work from a varied palette to explore a mix of sound worlds, ranging from thorny progressive fusion and unfettered psychedelia to folksy introspection and lush ballads.
As founder and producer of the adventurous Cryptogramophone label and co-founder of the influential acoustic group Quartet Music in 1979 (with guitarist Nels Cline, bassist Eric Von Essen and drummer Alex Cline), Gauthier's seminal ...read more
By Jeff Gauthier Music is all about community. The jazz musicians of New York are a musical community. Individual ensembles within that larger community are musical communities. However, so are social networking sites, record companies and the readers of All About Jazz. We can generally break communities down into two specific types: physical and virtual. Both communities can reflect specific musical styles. Physical communities and virtual communities have been interacting ever since people started banging rocks together and then throwing them at each other, but the manner in which they interact is always changing. Already, through ...read more
Join our growing community ofwriters, musicians, visual artists and advocates.