Think of jazz, and the trombone almost never comes to mind. Didn't used to be. In the beginning, every jazz band had a trombone. But that was the Dixieland era, and Dixieland bands aren't much in vogue anymore. (Unless you're a fan of HBO's Treme and you listen to Trombone Shorty. Sadly, not enough people do, or Treme would still be on the air.) Then came the big band era, and suddenly lots of trombones were the fashion, all in one band. Think Tommy Dorsey or Juan Tizol of the Duke Ellington band. And ...read more
The first thing that piqued my interest about Complete Fifties Studio Recordings (compiled from the Savoy, Prestige, Columbia, and Bethlehem labels) was the inclusion of a rare Mingus piece called Reflections. When you get to track number six after traveling through the preceding tunes (including the delightful Bernie's Tune ) you might utter Toto, I don't think we're in Kansas anymore.
The piece starts off with the lowest F on arco bass, and then the first trombone plays a slightly disjunct and slightly dissonant line against it. The second trombone enters in the style of a canon but quickly the ...read more
By Joshua Berrett and Louis G. Bourgois III The Scarecrow Press, Inc. ISBN 0810836483
J.J. Johnson is known to the listening public as a jazz trombonist who has repeatedly won the Downbeat and many other polls, who has played the instrument at super-rapid clips (a Philadelphia nightclub once billed him, Barnum and Bailey style, as The Fastest Trombone Player Alive!"), and who, with the great Kai Winding, made the famous J.J. and Kai" recordings showing that the trombone could indeed be a virtuoso instrument. A new and exciting book by Joshua Berrett and Louis Bourgois III ...read more
Is it possible to think of jazz trombone without the artistry of J.J. Johnson coming to mind? His death in 2001 brought closure to a career covering a half-century, and there are few major figures in bop/ mainstream jazz that didn't share concert billing with him. His recorded output graced a number of labels: Blue Note, Prestige, Concord, and Verve. In a perfect world, a career retrospective would be a multi-disc, multi-label affair. In this imperfect world, thank Fantasy Jazz for this single disc retrospective from its family of labels. Johnson's trombone style remained remarkably consistent throughout ...read more
Compared with the first appearance of previously released jazz albums in CD format, the second generation of jazz CD reissues represents sophisticated product: 24 bit remastering, updated liner notes, and glossy packaging--candy for jazz lovers. One in the most recent block of titles from Blue Note’s Rudy Van Gelder (RVG) edition reissue series, The Eminent J.J. Johnson, Volume One plays a variation on the reissue theme. Blue Note originally issued the songs on this session piecemeal as two separate albums. This disc presents for the first time in its entirety the 1953 session that comprises the original albums.
The set ...read more
Still paving the way for younger trombone-playing leaders and composers, J.J. Johnson at 75 plays that instrument better than any other jazz artist does. Remember Kid Ory, Jack Teagarden, Vic Dickenson, Glenn Miller, and Tommy Dorsey? Don’t forget Frank Rosolino. And there’s Urbie Green, John Fedchock, Steve Turre, Wycliffe Gordon, Robin Eubanks, and Ray Anderson. Lots more names too, but the list is nothing compared to the large numbers of trumpeters and tenor saxophone players who’ve led bands and whose names would roll right off your tongue without the need for reference materials. The trombone-playing leader is a minority in ...read more
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