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CD/LP/TRACK REVIEW

Gwilym Simcock and Yuri Goloubev: Reverie At Schloss Elmau

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Schloss Elmau, in Bavaria, was the recording venue for pianist Gwilym Simcock's Barclaycard Mercury Prize nominated solo album Good Days At Schloss Elmau (ACT Music, 2011). In March 2013 Simcock returned to the Schloss in the company of double bassist Yuri Goloubev. The result is Reverie At Schloss Elmau. It's the first duo album by these stylish players, although they have played and recorded together in many ensembles over the years including trios with drummers James Maddren and Asaf Sirkis. Simcock gets most of the writing credits here--five, to Goloubev's three. Simcock's compositions are perhaps a little more ...

CD/LP/TRACK REVIEW

Gwilym Simcock: Good Days At Schloss Elmau

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The world of jazz is currently enjoying a surfeit of great piano players, and the ACT label is home to some of the most innovative: musicians such as Michael Wollny of [em], Yaron Herman and Danilo Rea. Gwilym Simcock is the latest addition to the ACT roster with his solo Good Days At Schloss Elmau, a beautifully creative collection of original compositions that further establishes the Welshman as one of the most inventive pianists in jazz. Simcock trained as a classical pianist, turning to jazz at 15. He is still just 29 years old, but is already ...

TAKE FIVE WITH...

Take Five With Gwilym Simcock

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Meet Gwilym Simcock: I started the piano at the age of three, and since then all I've ever wanted to do is make music. My father taught me from a very early age, and then I attended the junior department of Trinity College of Music in London and then Chetham's School of Music for 9 years. During that time studying as a classical musician I was introduced to Jazz and became instantly hooked after hearing some Keith Jarrett and Pat Metheny, and ever since then the area of music involving both jazz and classical music has been what really interests ...

INTERVIEWS

Gwilym Simcock: It's All Just Music

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Pianist/composer Gwilym Simcock has achieved a lot in a short time. His debut album as leader, Perception (Basho, 2007) was roundly praised as heralding the arrival of a significant new talent.

Prior to that Simcock had captured attention for lighting up Bill Bruford's Earthworks, Tim Garland's Lighthouse Trio and Malcolm Creese's Acoustic Triangle.

Awards and commissions began to roll in accompanied by a certain amount of hype; Chick Corea labeled him a “creative genius" and comparisons between the talent of Simcock and Brad Mehldau andKeith Jarrett soon became commonplace.

However, as the old saying goes ...

EXTENDED ANALYSIS

Gwilym Simcock: Blues Vignette

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Gwilym Simcock Blues Vignette Basho 2009

Pianist/composer Gwilym Simcock sees the 2CD set Blues Vignette as a musical snapshot capturing but one stage of his musical development. In fact, the album is more like a lovingly crafted self portrait which reveals both the musical bloodline and which hints at future endeavors.

The first CD features Simcock solo and for 20 minutes in a duo performing a suite for cello and piano. Stripped of rhythmic accompaniment this is a close-up of Simcock which highlights the dual influences of classical music and jazz in ...

CD/LP/TRACK REVIEW

Gwilym Simcock: Blues Vignette

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Around long enough that the phrase “coming late to jazz" is no longer relevant, pianist Gwilym Simcock's star has been rapidly rising on the British scene for the past seven years, as he continues to mine the nexus of a classical upbringing with his more recent “conversion" to jazz. All too often, young artists release albums as leaders before they're ready, but in the case of the still twenty-something Simcock--a member of saxophonist Tim Garland's innovative Lighthouse Trio responsible for the superb Libra (Global Mix, 2009)--Perception (Basho, 2007) was a fully realized debut that highlighted his skills as performer, composer, ...

CD/LP/TRACK REVIEW

Gwilym Simcock: Perception

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It's rare when an artist emerges to accolades like “the most important new pianist on the British scene," and even rarer when such praise is justified. It's rarer still when it's an artist like Gwilym Simcock who, at twenty-six, has won a bevy of British awards despite coming to jazz from a classical background less than a decade ago. For an artist so young, Simcock has racked up a staggering array of accomplishments--a member of drummer Bill Bruford's Earthworks and co-member, along with Earthworks saxophonist Tim Garland, in bassist Malcolm Creese's trio Acoustic Triangle. Simcock is also a significant composer, ...

CD/LP/TRACK REVIEW

Spike Wells / Gwilym Simcock / Malcolm Creese: Reverence

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Given its often spiritual nature, it's not surprising to find men of the cloth with a deep love of music. Still, finding priests who are talented jazz musicians is a greater challenge, but in the case of British drummer Spike Wells the order of events is important. Ordained as a priest in 1996, Wells began his professional life in the 1960s, playing with artists including iconic saxophonists Tubby Hayes and Ronnie Scott. He's a fine and flexible player whose Reverence is the first album bearing his name on the marquis, but the company he keeps is equally significant. ...



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