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CD/LP/TRACK REVIEW

Tineke Postma/Greg Osby: Sonic Halo

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One of the most intriguing elements of saxophonists Tineke Postma's and Greg Osby's superb Sonic Halo is the way the co-leaders overlap their individual voices to create a uniquely multifaceted and harmonically integrated entity. Both Postma and Osby double on alto and soprano and their ideas, whether spontaneous or prewritten, flow seamlessly between them. This sublime exchange of musical concept is not at the expense of either artist's distinctive style.The percolating, turbulent rhythmic vamps form the backdrop for “Facets." This simmering Osby composition features a provocative and captivating duet that matches Postma's pensive, rich tone with Osby's crisp, ...

CD/LP/TRACK REVIEW

Tineke Postma/Greg Osby: Sonic Halo

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Greg Osby has influenced legions of saxophonists over the past two-plus decades. On Sonic Halo, one of those players stands tall beside him. Once upon a time, Osby and dutch saxophonist Tineke Postma had a mentor-mentee relationship, but that was then, and this is now. Both players are equals on this probing venture. Nine tracks--five from Postma's pen, three from Osby, and an abstraction on a standard ("Body And Soul")--give this pair ample room to feel each other out ("Sea Skies"), travel angular pathways ("Facets"), look straight into the face of uncertainty ("Source"), and succumb to the ...

Greg Osby: A Candid Conversation

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I have found that with forward-thinking artists, their music can be a direct reflection of who they are. That's largely my interest in these very creative individuals--in how they think and how they view the world through their own eyes. Greg Osby is fearless in expressing his convictions, and I think you'll find that his compositions reflect that very character. He is a creator and a fresh voice in a world that has a tendency to fall victim to the past.

Lloyd Peterson: Are you still doing things your own way?

Greg Osby: I have no other way, and creatively ...

INTERVIEWS

Greg Osby: New Mission, New Label, New Responsibility

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For over two decades Greg Osby has been at the forefront of modern jazz. As a composer and player he breaks new ground, challenging audiences and the establishment with his complex, propulsive, and ever-evolving music. Never one to mince words, Osby has built a reputation as a blunt spokesman willing to tell it like it is, whether discussing the state of art, his personal development, or the less appealing aspects of the music business. Now, launching a new label, Osby is even better positioned to formalize what he has been unofficially doing for many years, namely fostering the ...

CD/LP/TRACK REVIEW

Greg Osby: 9 Levels

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After ending a sixteen year tenure with Blue Note Records, leaving his signature as one of the most forward thinking, outspoken, and at times misunderstood artists in contemporary jazz, saxophonist/composer Greg Osby returns with 9 Levels, the first release on his new Inner Circle Music label. The music which is based upon Osby's perspective on the Zen like principles of “The 9 Levels of Humanity," personifies the artist: geometric time signatures, hip modernistic imprints, blues and bop touches and some new surprises, delivered with the usual high level of musicianship. The sharp movements of Osby's horn and ...

DISTRICT JAZZ

New Inventions: Greg Osby Debuts Latest Band at Kennedy Center Jazz

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Saturday, October 27, 2007Kennedy Center Jazz ClubWashington, DC Instrumentalist, composer, and band-leader Greg Osby has helped helm jazz's creative resurgence for nearly two decades. At the Kennedy Center last Saturday, he once again proved why he has long been one of modern jazz's most provocative figures. Presenting the official launch of his latest collection of new young voices in a brand new configuration, Osby not only redefined his sound, but the combination of novel arrangement, instrumental experimentation, and textural exploration may well have constituted his best work yet.

CD/LP/TRACK REVIEW

Andrew Cyrille with Greg Osby: Low Blue Flame

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"Every once in a while, the saxophonist and drummer just have to be alone. So said the venerable tenorist Benny Golson in concert a few years ago, a coy grin creeping over his face, before launching himself into the stratosphere against his drummer of the evening. “Against, because that's often the form the sax/drums duet takes--a no-holds-barred, take-no-prisoners, raucously unrestrained and joyfully unapologetic, cacophonous battle to the finish line. On Low Blue Flame however, drummer Andrew Cyrille and saxophonist Greg Osby are after something else: melodic improvisation within a tight compositional framework, with intensity coming not from highflying pyrotechnics but ...



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