Multi-reed player Gebhard Ullmann celebrated his fiftieth birthday in 2007 with the release of New Basement Research, a powerful recording which had personnel changed from the earlier releases of this project. For those new to Ullmann, see this retrospective. Hat And Shoes celebrates a number of milestones: Ullmann's fiftieth release as a leader or co-leader and the twentieth year of the Basement Research project itself, which started with the eponymous Soul Note release from 1995.read more
Without a doubt, German multi-woodwind ace Gebhard Ullmann is one of the busiest artists within the global jazz network. Hat & Shoes celebrates his Basement Research band's 20th anniversary and the artist's 50th CD as a co-leader and leader, including his other ensembles --Conference Call and the Clarinet Trio. The all-star quintet ups the ante via its intensely wrought force-field and crafty deportment, compiled with spirited group evolvements. The three-man horn section's deterministic mode of operations, offer rousing ...read more
Saxophonist Gebhard Ullmann might be the German equivalent of Chicago's Ken Vandermark. Both players are influential composers and both maintain multiple creative ensembles in Europe and the United States. Like Vandermark, Ullmann's catalog is vast. Hat And Shoes is his 50th release as a leader or co- leader, and this band Basement Research have put out seven titles.Similar to the now defunct Vandermark 5, Basement Research's quintet features a smart balance between composed and improvised music. Ullman's choice ...read more
Back in 1999, Leo Records released the debut album, Oct. 1 '98, by The Clarinet Trio, which consisted of three German clarinettists, Jürgen Kupke on clarinet plus Gebhard Ullmann and Theo Nabicht both on bass clarinets. The three had contrasting interests and styles: Kupke had been performing from contemporary to New Orleans-type music, Nabicht focused on contemporary composed and improvised music and wrote music for theatre, while Ullmann had been composing and performing in the large field of what he ...read more
The international partnership of German multi-instrumentalist Gebhard Ullmann and Downtown trombonist Steve Swell dates back to 2004, when they first recorded together as the co-leaders of a quartet on Desert Songs and Other Landscapes (CIMP, 2004)--the same year Swell joined Ullmann's renowned Basement Research ensemble. News? No News! is the sophomore follow-up to their CIMP debut, a rare studio date for the German Jazzwerkstatt imprint that captures the vigor of the quartet's live gigs in a transparent studio environment.read more
It is difficult to decide, when listening to The Ullmann-Swell 4 disc News? No News! whether the choicest parts are composed or purely improvised. With such talent heard here in this mini-supergroup of saxophonist/bass clarinetist Gebhard Ullmann, trombonist Steve Swell, bassist Hilliard Greene, and drummer Barry Altschul, maybe the extreme pleasure that results is allowing that tug-of-war to play itself out.
This disc is the second by the quartet, following Desert Songs and Other Landscapes (CIMP, 2004). Ullmann and Swell ...read more
In these days of global jazz alliances, the partnership of downtown trombonist Steve Swell and German reedman Gebhard Ullmann won't raise too many eyebrows. More noteworthy is its endurance, spanning some six years since its auspicious inception with Desert Songs and Other Landscapes (CIMP, 2004). Swell is also a fixture in Ullmann's Basement Research band, another combo that shows similar staying power. News? No News!, a studio date on Berlin's Jazzwerkstatt imprint, constitutes a worthy successor to the CIMP, featuring ...read more
When Gebhard Ullmann took his Basement Research into Krakow 's Alchemia Club to celebrate his 50th birthday, he recorded two sets of music. The first was released as Don't Touch My Music, Vol. 1. Like the first, this second set is unedited and unchanged, and shows just how intuitive and empathic the band is.
Ullmann's compositions encapsulate several idioms. He goes from blues to a march, transforming into free idioms without a twinge. And just as his writing is earthy, ...read more