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EXTENDED ANALYSIS

Gary Burton: Seven Songs for Quartet and Chamber Orchestra

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While there is still a handful of ECM titles from vibraphonist Gary Burton that remain unreleased on CD, perhaps the most unique of the bunch is Seven Songs for Quartet and Chamber Orchestra, originally issued by the German label in 1974 and the first of two collaborations with Zimbabwe-born, British-resident composer/pianist/trombonist Michael Gibbs. The similarly intriguing In the Public Interest (Polydor, 1974) is a more conventionally configured large ensemble with horns, reeds, piano, bass and drums; Seven Songs, on the ...

EXTENDED ANALYSIS

The New Gary Burton Quartet: Guided Tour

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For some, retirement means winding down and enjoying what life has to offer, after a lifetime spent with the daily grind of making a living. With most musicians, however, while making a living has been a not insignificant challenge, making music can hardly be called a daily grind; it's work, to be sure, but it's also play. Still, for those who have-- either by choice, necessity or both--engaged in a career that's a mix of education, recording and gigging, retirement ...

LIVE REVIEWS

Chick Corea and Gary Burton: Burlington, VT, October 19, 2012

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Chick Corea and Gary Burton with the Harlem String QuartetFlynn Center for the Performing ArtsBurlington, VTOctober 19, 2012The sound itself was absolutely sublime as it emanated from the instruments of pianist Chick Corea and vibraphonist Gary Burton on October 19, 2012 at The Flynn Center in Burlington, Vermont. The ringing clarity of the notes pealing from Corea was perfectly in proportion to the warm glowing flow of sound as it arose from Burton. During those ...

CD/LP/TRACK REVIEW

Chick Corea & Gary Burton: Chick Corea & Gary Burton: Hot House

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The creative connection upon which vibraphonist Gary Burton ruminates to such length, in his essay for Hot House, is evident from the first instrumental exchanges with longtime collaborator, pianist Chick Corea. Burton and Corea complete each others' thoughts throughout “Can't We Be Friends," sounding as effortless and natural--arguably more so--as the seamless improvisations that earmarked their very first recorded project together forty years ago, Crystal Silence (ECM, 1972).The symbiosis recurs throughout the ten tracks here, which span standards ...

CD/LP/TRACK REVIEW

Chick Corea & Gary Burton: Hot House

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With a partnership lasting longer than most marriages, pianist Chick Corea and vibraphonist Gary Burton know what it takes to keep things fresh. Since the release of Crystal Silence (ECM, 1973), they have toured virtually every year, but record far less frequently, with only six albums to their credit, most recently The New Crystal Silence (Concord, 2008). With the pianist especially busy these days--his The Continents: Music for Jazz Quartet & Chamber Orchestra (Deutsche Grammophon, 2012) just out and a ...

LIVE REVIEWS

New Gary Burton Quartet: San Diego, California, October 12, 2011

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New Gary Burton Quartet Neurosciences Institute San Diego, CA October 12, 2011 Vibraphone master Gary Burton has returned to the guitar quartet, a format that has served him well since his early recordings with Larry Coryell in the '60s, and especially with Pat Metheny in the '70s. His current group was born about a year ago, when he began touring with drummer Antonio Sanchez, double bassist Scott Colley, and protΓ©gΓ© Julian Lage, a guitarist ...

LIVE REVIEWS

Gary Burton Quartet: New York, NY, September 21, 2011

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Gary Burton QuartetBlue NoteNew York, NYSeptember, 21, 2011 Lionel Hampton carved out a place for the vibraphone in a swing setting, and Milt Jackson brought the instrument into bop, but Gary Burton remains the guru and guiding light in virtually every other aspect for vibraphonists and fans the world over. As a visionary educator, he helped to make Berklee the place to go for aspiring jazzers, and as a performer, he's redefined the very ...

CD/LP/TRACK REVIEW

The New Gary Burton Quartet: Common Ground

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In a career now entering its sixth decade, vibraphonist Gary Burton has participated in plenty of one-off recordings, paying tribute to everyone from tango master Astor Piazzolla to mallet-men who have come before, like Lionel Hampton and Milt Jackson. His discography has been nothing if not unfailingly consistent--every recording meticulously conceived and flawlessly executed. A project, perhaps, rather than an ongoing concern, but Burton's last record, Live (Concord, 2009), remains as exhilarating a concert recording as the vibraphonist has done, ...



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