Recent Articles

INTERVIEWS

Gary Burton: A Lifetime of Collaborations

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This interview was first published at All About Jazz in April 1999. Vibraphonist, composer and teacher, Gary Burton was among the first modern jazz musicians to come out of the fertile American Midwestern musical ground from which Pat Metheny and others later grew. Born in Anderson, Indiana, Burton began his professional career while still a teenager, supporting country guitarist Hank Garland. He began to blossom as a solo artist in the early 1960s as one of the first ...

INTERVIEWS

Gary Burton: The Art of Listening

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This article was originally published at All About Jazz in February 2001. If you had to choose one living musician who has pioneered the current state and techniques of his instrument, championed jazz education and performed with most of the current crop of established, contemporary jazz artists (Chick, Metheny, Jarrett, Herbie) plus has 'discovered' and been instrumental in bringing up new leaders in his own bands (Metheny, Makoto Ozone, Tommy Smith, etc), that would be Gary Burton.

INTERVIEWS

"Thousands of Bouquets": An Interview with Gary Burton on Jazz and Japan

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This article was originally published at All About Jazz in May 2000 as part of a “Jazz and Japan" interview series. All About Jazz: What do you remember about your first trip to play in Japan? Gary Burton: I was 19 years old, playing with George Shearing. We spent five weeks in Japan playing in about five different cities. I had a lot of days off, so I explored Tokyo, Osaka, etc., and began to learn ...

EXTENDED ANALYSIS

Gary Burton: Seven Songs for Quartet and Chamber Orchestra

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While there is still a handful of ECM titles from vibraphonist Gary Burton that remain unreleased on CD, perhaps the most unique of the bunch is Seven Songs for Quartet and Chamber Orchestra, originally issued by the German label in 1974 and the first of two collaborations with Zimbabwe-born, British-resident composer/pianist/trombonist Michael Gibbs. The similarly intriguing In the Public Interest (Polydor, 1974) is a more conventionally configured large ensemble with horns, reeds, piano, bass and drums; Seven Songs, on the ...

EXTENDED ANALYSIS

The New Gary Burton Quartet: Guided Tour

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For some, retirement means winding down and enjoying what life has to offer, after a lifetime spent with the daily grind of making a living. With most musicians, however, while making a living has been a not insignificant challenge, making music can hardly be called a daily grind; it's work, to be sure, but it's also play. Still, for those who have-- either by choice, necessity or both--engaged in a career that's a mix of education, recording and gigging, retirement ...

LIVE REVIEWS

Chick Corea and Gary Burton: Burlington, VT, October 19, 2012

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Chick Corea and Gary Burton with the Harlem String QuartetFlynn Center for the Performing ArtsBurlington, VTOctober 19, 2012The sound itself was absolutely sublime as it emanated from the instruments of pianist Chick Corea and vibraphonist Gary Burton on October 19, 2012 at The Flynn Center in Burlington, Vermont. The ringing clarity of the notes pealing from Corea was perfectly in proportion to the warm glowing flow of sound as it arose from Burton. During those ...

CD/LP/TRACK REVIEW

Chick Corea & Gary Burton: Chick Corea & Gary Burton: Hot House

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The creative connection upon which vibraphonist Gary Burton ruminates to such length, in his essay for Hot House, is evident from the first instrumental exchanges with longtime collaborator, pianist Chick Corea. Burton and Corea complete each others' thoughts throughout “Can't We Be Friends," sounding as effortless and natural--arguably more so--as the seamless improvisations that earmarked their very first recorded project together forty years ago, Crystal Silence (ECM, 1972).The symbiosis recurs throughout the ten tracks here, which span standards ...

CD/LP/TRACK REVIEW

Chick Corea & Gary Burton: Hot House

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With a partnership lasting longer than most marriages, pianist Chick Corea and vibraphonist Gary Burton know what it takes to keep things fresh. Since the release of Crystal Silence (ECM, 1973), they have toured virtually every year, but record far less frequently, with only six albums to their credit, most recently The New Crystal Silence (Concord, 2008). With the pianist especially busy these days--his The Continents: Music for Jazz Quartet & Chamber Orchestra (Deutsche Grammophon, 2012) just out and a ...



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