The development of an individual voice on the contrabass is important to Eric Revis, one of the strongest players on the scene. His power and musicianship has endeared him to some of the finer musicians, and bands, in jazz. But Revis isn't content to let things lie there. Not that he has to be out front flexing his considerable bass muscles. That's not the point. Through bands that he forms, his compositions, his collaborations, he wants to grow as an artist. One who is always contributing to whatever proceedings he is involved in. One who makes his own ...read more
Although the title to bassist Eric Revis' quartet offering appears to pay homage to some of the early AACM documents (think pianist Muhal Richard Abrams' unaccompanied manifesto Things To Come From Those Now Gone (Delmark, 1975)), the actuality is a different animal entirely. Having rung the changes since the acclaimed City of Asylum, Revis' outfit acts primarily as a vehicle for exploring imaginative charts drawn from across the band, along with two free jazz classics and two group inventions, this time without a piano in sight. And with a resume extended from a longtime home base with Branford Marsalis to ...read more
Bassist Eric Revis has performed and recorded with saxophonist Branford Marsalis' bands since 1997, and is a first-call session artist. Marsalis appears on two tracks for the bassist's third solo date on the progressive Portugal-based label, Clean Feed Records. The core quintet features a formidable frontline with tenor saxophonist Bill McHenry and alto saxophonist Darius Jones. And diversity is a key driver during a host of jazz-centric formats, constructed on scrappy maneuvers; contrapuntal statements, quirky rhythmic jaunts, and ballsy, hard-hitting grooves. The album also contains pieces that are modeled with swarming, episodic free style dialogues, perky bop fabrications and exploratory ...read more
Bassist Eric Revis is a heavyweight in more than one respect. He is doing the improbable in a remarkable way, thereby ignoring collectively imposed and maintained demarcations at work. Armed with his physically very present, raw and vibrant bass sound he beats his track into the realms of freely improvised music. He made his debut as a leader in 2012 with Parallax, on the authoritative Lisboan Clean Feed label, with a dream team of Jason Moran, Ken Vandermark and Nasheet Waits. His 2013 follow-up was an even more surprising trio with pianist Kris Davis and many peoples' favorite drummer, Andrew ...read more
Bassist Eric Revis is notoriously comfortable within many jazz contexts and vernaculars. As a leader and session man, he's been in the thick of things, toggling between modern mainstream, trad-jazz, Acid Jazz and other crosscutting musical endeavors. Here, he revisits the freer spectrum, supported by an all-star lineup. And while there's certainly no shortage of group-centric expressionism, the bassist doesn't keep the band in a particular mode or style. Revis' menu generates an oscillating aural experience, where each piece stands on its own.Split" is built on succinct contrasts, executed by Revis and pianist Jason Moran's lower register ostinato ...read more
Eric Revis QuartetJazz GalleryNew York, NYAugust 28, 2009 I don't imagine the Eric Revis Quartet was assembled with reconciliation in mind, but to a hobbled veteran of the Jazz Wars--the squabbles and skirmishes over the music's boundaries that raged throughout the '80s, '90s, and early aughts--the lineup would look like an improvising West-Eastern Divan Orchestra. Bassist Eric Revis, the group's leader, is best known for his longtime collaboration with Branford Marsalis, one of jazz's grumpy neo-classical princes, who, despite pop-culture peccadilloes with Jay Leno and Sting, talks trash about hip-hop and says that students today ...read more
Best known for his decade-plus with the Branford Marsalis Quartet, bassist Eric Revis has also thrived in trio settings with Avram Fefer, Peter Brötzmann and most recently Kurt Rosenwinkel, playing everything from pure straight-ahead to absolutely free. He debuted as a leader in 2004 with Tales of the Stuttering Mime (11:11), and he imbues his sophomore release with a similar toughness, lyricism and sonic variation. Two of the featured players, pianist Orrin Evans and tenor saxophonist Stacy Dillard, are Revis' co-leaders in the group Tar Baby, so it's fitting that one of the tunes from Tar Baby's debut disc, the ...read more
Best known as Branford Marsalis' bassist, Eric Revis' first solo project mixes straight-ahead jazz with intense funk fusion and employs a gaggle of special guests. The vast array of sounds and ensembles showcases the bass as an incredibly multifaceted instrument that easily finds its place among a diverse smattering of situations. The album is a collage of unique moments. Revis creates a reverent universe around his instrument on Miles Sebastian. The track opens with a hard-to-discern voice mail message, followed by the breathy strains of the Echo String Quartet. An encounter with metal occurs on 11:11 as ...read more
Did you see bassist Eric Revis in Branford Marsalis' DVD remake of John Coltrane's A Love Supreme? He was not impersonating Jimmy Garrison. Unlike Branford's not imitating Coltrane, you could become hypnotized by his solos. His presence was almost overwhelming.
A member of Branford's band for the past seven years, the bassist began his jazz odyssey with Betty Carter and has recorded with Russell Gunn and James Hurt. His knowledge of post bop is supplemented here by his deep respect for the grooves of funk and rock.
The hook is applied early here with the opening ...read more
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