English saxophonist Elton Dean has inspired several memorials since his untimely demise in 2006. But there is always space for another when it is as vital as Remembrance, a two CD set from 2004 issued by the Lithuanian NoBusiness imprint. Best known for his seminal work with the jazz rock pioneers Soft Machine, Dean also amassed a substantial discography in the company of luminaries such as Keith Tippett,Kenny Wheeler, Roswell Rudd and Howard Riley. All the three other participants on ...read more
This reissue of two Ninesense recordings, from the late British saxophonist Elton Dean, creates a gateway back to the London jazz scene of the 1970s. Digging into bands that he played with previously outside of his work with Soft Machine, he formed the nine-piece Ninesense with Keith Tippett, along with several other members of that pianist's bands, as well as other players that passed through the ranks of late South African pianist Chris McGregor's band, Brotherhood of Breath, like drummer ...read more
That infinite moment with which a lot of the music AAJ covers is preoccupied is amplified here, rife with a depth which far outstrips the casual manner in which the music came together. Afforded the relative luxury of three days of studio time in February 1972, some of that time's most creative individuals on the British scene came together to work both spontaneously and collectively. The results, even while inevitably reflective of that casual approach, demonstrate the primacy of that ...read more
Though non-idiomatic is a term often thrown around when referring to post-1960s British improvisation, the more apt one might be cross-idiomatic, insofar as significant players have worked across genres with regularity. Take alto saxophonist Elton Dean, for example. He was part of the three-horn front line of pianist Keith Tippett's group, which was co-opted by the Soft Machine (a band for whom even the term progressive rock" doesn't do justice). Though trumpeter Marc Charig and trombonist Nick Evans eventually left, ...read more
Here's another exercise in musical archaeology from Reel and it is worthy of loud and prolonged applause. British pianist Miller was always a worthwhile player, shaping up here as he often did as the British Mal Waldron in terms of his purged-of-excess approach to the keyboard. He always kept sound musical company and the presence of both Dean and drummer Eddie Prevost testifies to that here.
Made in the moment, Dedicated To Few" is a highly persuasive manifesto for such ...read more
Poignant doesn't cover it. This was one of Elton Dean's last gigs before his death and all the qualities that made him such a distinctive voice on alto sax and saxello--his wit, his ascetic, unsentimental lyricism and the like--are caught in abundance and in the company of a band who do a whole lot more than simply provide a framework for his invention.
Millennium Jumble (The Wrong Object)" is a case in point. Dean's saxello work in particular was always ...read more
In the world of improvised music the energy of a first meeting can often be better than when there's been adequate prep time. British saxophonist Elton Dean's collaboration with the Belgium group The Wrong Object wasn't meant to be impromptu. And with Dean and the improvisational jazz/art rock quintet having exchanged scores for the October 18, 2005 performance documented on The Unbelievable Truth, it isn't as if either party had no preparation. But unexpected circumstances scuttled a pre-show rehearsal, so ...read more
Saxophonist Elton Dean first came to fame in the late '60s as a member of pianist Keith Tippett's sextet, and perhaps more prominently as part of what is now considered to be the classic Soft Machine lineup that recorded Third, Fourth and Fifth. Since that time he's been involved in a variety of projects--both as a group member and leader--that have maintained his ties to the British Canterbury scene, while at the same time continuing to forge his own identity ...read more