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ON AND OFF THE GRID

Free Jazz Versus Free Improvisation

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Free jazz versus free improvisation. Are they the same? I submit they are not. Let's take a look at what makes up music. I was taught from the very beginning that music is composed of three parts: 1. Melody; 2. Harmony; 3. Rhythm. Now add improvisation to the mix, and call it melody, and we have what is known as jazz. The main components of jazz are the improvisations and the rhythms. Without improvised solos it can't be called jazz. From the earliest days of blues to ragtime to swing to bebop to modern ...

ON AND OFF THE GRID

Practice, Do You? - Part 1-3

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I began studying the guitar when I was seven years old. I hated my teacher and I didn't practice much, but when I changed teachers' and I went to Joe Geneli, I regained a love for the guitar that I first had when I was four years old when I first saw Roy Rogers sing and play. It was with Joe that I began to practice. I found an hour a day was sufficient, but as I got older and the music he gave became harder, I practiced longer. When I was fourteen I switched to Sal Salvador. ...

ON AND OFF THE GRID

Practice, Do You? - Part 2-3

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Continued from Part 1 I began studying the guitar when I was seven years old. I hated my teacher and I didn't practice much, but when I changed teachers' and I went to Joe Geneli, I regained a love for the guitar that I first had when I was four years old when I first saw Roy Rogers sing and play. It was with Joe that I began to practice. I found an hour a day was sufficient, but as I got older and the music he gave became harder, I practiced longer. When I was ...

ON AND OFF THE GRID

Practice, Do You? - Part 3-3

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Continued from Part 2 I began studying the guitar when I was seven years old. I hated my teacher and I didn't practice much, but when I changed teachers' and I went to Joe Geneli, I regained a love for the guitar that I first had when I was four years old when I first saw Roy Rogers sing and play. It was with Joe that I began to practice. I found an hour a day was sufficient, but as I got older and the music he gave became harder, I practiced longer. When I was ...

MULTIPLE REVIEWS

The Musical Meetings of Dom Minasi with Michael Jefry Stevens and Hans Tammen

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Guitarist Dom Minasi is an innovative, searching musician that needs no introduction. His two new intimate duo albums feature him in two completely different situations: one playful and emphatic,one experimental and challenging. He excels on both, demonstrating again and again his consummate command of his instrument and the improvised form of his art. Dom Minasi & Michael Jefry Stevens Angel Dance--Improvisations for Guitar and Piano Nachti Records 2013 Minasi and pianist Michael Jefry Stevens met for the first time in 1995 while recording the Stevens-Dominic Duval quintet Elements (Leo, 1996). These ...

ON AND OFF THE GRID

A Jazz Musicians' Guide to Living In The Universe

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I've been on Facebook for three years and many of my friends and colleagues have posted quotes from musicians and philosophers. I've decided to start writing my own quotes about what I have learned and experienced through the years. Since I've been a professional musician since 1957 and playing the guitar over 63 years, I have learned a few things. Some the hard way and some just through living. The years have given me some insights, which I would like to share with you, my All About Jazz readers. You don't become a great player by practicing scales ...

MEET THE STAFF

Meet Dom Minasi

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I currently live in: New York, NYI joined All About Jazz in: 2012What made you decide to contribute to All About Jazz? All About Jazz is the first thing I read in the morning, there is a wealth of information and I thought as a working musician I could offer a particular point of view on topics where I have experience.How do you contribute to All About Jazz? I have a column called On and Off the Grid.What is your musical background? I began studying guitar when I was seven years old. ...



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