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CD/LP/TRACK REVIEW

The Cosmosamatics: Jazz-Maalika

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The Cosmosamatics--an ever-evolving ensemble co-led by multi-reedists Sonny Simmons and Michael Marcus--was founded in 2000, though the seeds were arguably planted many years earlier. Half a century ago, Simmons was cutting his teeth with multi-reedists Prince Lasha, Eric Dolphy and others of the so-called free jazz movement. Marcus made his name in the avant/free circles of a later generation, so there was a natural symmetry to their eventual meeting in the early 1980s and subsequent collaborations. The Cosmosamatics has always paid musical homage to its spiritual forbearers such as alto saxophonist Charlie Parker, Dolphy, bassist Charles Mingus, pianist Sun Ra; ...

EXTENDED ANALYSIS

The Cosmosamatics: Jazz-Maalika

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Since their founding in 2002, the Cosmosamatics have been one of the most exciting groups in jazz. Spearheaded by twin souls Sonny Simmons and Michael Marcus, the band has thus far released nine recordings and one live DVD. Part of the Cosmosamatics' strength lies in their openness to new sounds and players, and over the years they have incorporated a movable feast of musicians, including bassist William Parker, drummer Andrew Cyrille, and saxophonist James Carter. On their new release, Jazz-Maalika, they are joined by several Indian musicians, and the resulting music is a shimmering blend of East and West, set ...

CD/LP/TRACK REVIEW

The Cosmosamatics: Free Within The Law

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Sonny Simmons (alto sax, English horn) and Michael Marcus (tenor sax, Bb clarinet) are the twin sentinels of the powerhouse quartet, The Cosmosamatics, whose dynamic is enhanced by Art Lewis (drums) and Peter Herbert (bass). The familiarity between Simmons and Marcus helps drive the music as they fathom and develop ideas on the go. Lewis pumps the rhythm for the front line, but he has long been one to divine the recourse and path of a tune.

Simmons was an integral presence of the avant-garde scene of the Sixties. He dropped out of sight only to return in ...

CD/LP/TRACK REVIEW

The Cosmosamatics: Free Within The Law

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This group has fortunately been documented quite a few times on record, and consequently this disc offers insight into an ongoing affair. The front line of woodwind multi-instrumentalists Sonny Simmons and Michael Marcus has now not only established the kind of rapport Simmons used to have with Prince Lasha forty odd years ago, but also moved beyond it, which is just as it should be.

This is abundantly obvious from the off. The opening title track finds the two men jousting like there's no tomorrow, with lines spinning off into the ether at a high rate. Their efforts are given ...

LIVE REVIEWS

The Cosmosamatics in Poland

The Cosmosamatics Alchemia Krakow, Poland October 3, 2006In the mid-1960s, when Louisiana-born saxophonist, Sonny Simmons was probably at his most influential, a succession of important jazz musicians converged on a club in Krakow, Poland called the Helikon. Some of the younger musicians developed an ebullient, devil-may-care attitude and style that drew a great deal from the free jazz experiments taking place across the Atlantic. The communist authorities were not amused, especially when some of the regulars at the club, such as trumpeter, Tomasz Stanko and saxophonist, Janusz Muniak, dared to carry their alarming ...

CD/LP/TRACK REVIEW

Cosmosamatics: Magnitudes

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What started as a song title on a trio session for CIMP nearly ten years ago (Transcendence, 1996) has blossomed into one of the most consistent and fruitful partnerships in jazz. The Cosmosamatics (primarily alto elder statesman Sonny Simmons and multireedist Michael Marcus) dabble in bop, post bop, and free jazz, with tightly written and arranged heads and abrupt tempo shifts and twists in between.The band has had various members since its inception, but Jay Rosen has been the constant on drums: the compositions tend to be built on percussive and driving foundations, with Rosen's steady cymbals and ...

CD/LP/TRACK REVIEW

The Cosmosamatics: Reeds & Birds

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Reeds & Birds is an excellent tribute to the adventurous spirit of Charlie Parker. The album soars with a technical facility that is, like Bird's, furious and musical, yet effortless and cool. Playing some of Parker's more obscure compositions like “Cheryl," “Drifting on a Reed," and “Bird Feathers," the group of Michael Marcus, Sonny Simmons, and drummers Clifford Barbaro and Jay Rosen (on “Avant-Garde Destruct") also contributes originals like the quick shock of “Intoxicating Galaxies," the bop pops of “49th Street Stomp," and the ambitious “Avant-Garde Destruct."

The celebration on Reeds & Birds is very much in the bop tradition ...



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