If jazz is to avoid being relegated to the pit of obsolescence where VCR's, pet rocks and NBC's fall lineup for the last five years has been consigned to it won't be enough to simply continue catering to the true believers and faithful die-hards that currently maintains the genre. Jazz will have to go places it hasn't been before and go after potential listeners who think of it as the music their grandparents listened to. One of those places are clubs where people gather not to be hipsters draining their glasses of wine and proclaiming how the masses ...read more
At some point during every artist's career, if they truly consider themselves as artists, they must ask themselves a question of truth. This question is not so much, Am I following the truth?" but rather Am I following my truth?"The answer to this question goes a long way in determining whether the artist plays it safe and stays in their comfort zone, or takes the bolder, but potentially more interesting and satisfying course of following their muse wherever it takes them. For multi-instrumentalist Chris Standring, the answer seems to be to make only the music that moves him. ...read more
Playing jazz in America would serve as a great cover for someone in the witness protection program. A musician can labor at jazz for years and put together a nice body of work, but the music industry, the media, and the public may barely notice in their search for the next teenage pop star.
Chris Standring has never made an album quite like Blue Bolero. Standring could have stayed in a smooth jazz comfort zone of safe and innocuous music. Low risk can mean high reward, but Standring chose to go a different, riskier and far more ambitious route. The ...read more
Once upon a time Wes Montgomery plugged in his guitar and changed the way the world listened to jazz. Since then the guitar pick has been passed on to artists including George Benson, Earl Klugh, John Scofield and Pat Metheny, and each and every one has pushed the genre just a little bit further.With Love and Paragraphs, guitarist Chris Standring makes a fair bid to push it the next step forward. This is as close to being a perfect album as any released in 2008.The production values of a recording usually aren't considered among its key ...read more
Chris Standring is an English guitarist with classical training and a predilection for smooth funk-jazz grooves. His contempo guitar sound has turned up already on recordings by Bebe and Cece Winans, Jody Watley, Omar, the Solsonics, Carole Bayer Sager and Rick Braun.
He's played with Braun, Marc Antoine, Patti Austin, Bob James, Dave Koz, Richard Elliott, Boney James, Peter White, Kirk Whalum, and Al Stewart. Trumpeter Braun and smoothie tenor man Kirk Whalum appear with him on Velvet, his debut CD as a leader.
Velvet is. That is, it's a collection of laid-back playing by Standring and his mates over ...read more
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