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Chet Baker: The Missing Years by Artt Frank

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Chet Baker: The Missing Years Artt Frank 234 Pages ISBN: # 978-0-9887687-4-1 BooksEndependent 2014 Baker attracts positive and negative criticism like a celebrity black hole--the artist as hero and antihero. When considering Baker, you consider no one else. From “On The Banks of the Jabbok with Chet Baker," All About Jazz, 2012. Since his death in 1988, trumpeter/vocalist Chet Baker has been the subject of three biographies that when taken together, provide a temporal account of the musician's often turbulent life. The biographies must be considered together because ...

REASSESSING

Chet Baker Plays The Best Of Lerner & Loewe

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Chet BakerChet Baker Plays The Best Of Lerner & LoeweOJC1959/2013 The newest round of re-releases/remasters from the Concord Music Group celebrate the 60th anniversary of Riverside Records. Singer and trumpeter Chet Baker's Chet Baker Plays The Best Of Lerner & Loewe joins Mulligan Meets Monk (OJC/Riverside, 1957/2013) in the label's birthday celebration. Plays The Best Of Lerner & Loewe can easily be considered a sequel and one half of a creative diptych with Chet (Riverside, 1959). On top of the jazz world a mere five years previously, Baker was amid one ...

OPINION/EDITORIAL

On the Banks of the Jabbok With Chet Baker

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When Yale professor Harold Bloom was interviewed by NPR shortly after publication of Jesus and Yahweh: The Names Divine (Riverhead, 2005), he was quite candid about his relationship with his own Judaism and Yahweh: Bloom: ... I may, as I say, lack trust in the covenant, but though I keep asking Yahweh to go away, I say so many times in this book, he won't go away. He haunts me. NPR: You really want Yahweh to go away? Bloom: Yes, I would love him to go away, but he won't. NPR: He ...

BOOK REVIEWS

Funny Valentine - The Story of Chet Baker

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Funny Valentine: The Story of Chet BakerMatthew Ruddick828 pages, softbackISBN: 978-1-907732-71-3Melrose Books2012Grippingly written and meticulously researched, Matthew Ruddick's 828-page opus is the definitive biography of trumpeter and singer Chet Baker. More than that, it is a vivid account of the junkie subculture that ran through mid-to-late 20th century jazz, as seen through the incident-packed life of one of its most spectacular participants. The book combines some of the best qualities of saxophonist Art Pepper's unflinching autobiography, Straight Life (Schirmer Books, 1979), and Ian Carr's scholarly musical biography Miles ...

REASSESSING

Chet Baker: She Was Too Good To Me

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Chet BakerShe Was Too Good To MeCTI Records1974 The modern image of trumpeter/vocalist Chet Baker is a hopelessly fractious one. Baker is, at once, a brilliant musical autodidact with a superb ear while, at the same time, a musician with a nonexistent grounding in musical theory. Like cornetist Bix Beiderbecke before him, Baker taught himself, thereby forging a personal sound identifiable across the space-time continuum. He left a 40-year aural testament, recorded during the most revolutionary period in jazz, that revealed a remarkable focus unshaken by those changes. ...

BOOK REVIEWS

Chet Baker: His Life and Music

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Chet Baker: His Life and Music Jeroen de Valk Paperback; 296 pages ISBN: 189316313 Berkeley Hills Books 2000 The legacy of jazz trumpeter/vocalist Chet Baker, particularly that developed after 1980, has largely evaded detailed analysis. In the 25 years since Baker's death, following a fall from an Amsterdam hotel window, May 13, 1988, a clearer picture of the artist has emerged in the form of two excellent, yet whole disparate biographies, James Gavin's Deep in a Dream: The Long Night of Chet Baker (Knopf, 2002) and Jeroen de Valk's earlier Chet Baker: ...

CD/LP/TRACK REVIEW

Chet Baker: She Was Too Good To Me

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Newly reminted in 2010's CTI Masterworks series, She Was Too Good To Me was originally Chet Baker's 1974 “comeback album," his first recording since a well-publicized mugging by junkie acquaintances (hardly “friends") that relieved the singer and trumpet player of his money, dope and most of his teeth. “Believe me," Baker once observed, “when a trumpet player has his teeth pulled, it's a comeback." Creed Taylor's velvety production proves the perfect setting, and the standards “Autumn Leaves" and “Tangerine" prove that Paul Desmond's dry and airy alto saxophone is the perfect instrumental foil for Baker's tropical (steamy ...



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