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CD/LP/TRACK REVIEW

Chano Dominguez: Piano Ibérico

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Spanish pianist Chano Dominguez keeps on with his unique blending of flamenco and jazz with Piano Ibérico (> (Iberian Piano), an exquisite homage to some of Spain's most influential composers, including Isaac Albéniz, Manuel de Falla, Enrique Granados, and Frederic Mompou. Along with three new compositions of his own, Dominguez creates his own interpretations of these four piano composers. “They are the inspirers of this work and, to me, the first flamenco pianists because they were able to take the soul of popular music and stamp all their knowledge," he explains. After his recent collaborations with Wynton ...

LIVE REVIEWS

Chano Dominguez Quinteto Flamenco at Jazz Standard

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Chano Dominguez“The Flamenco Side of Kind of Blue" Jazz StandardNew York, NYDecember 3, 2009 I have a confession to make.

I've never listened to Kind of Blue.

Oh, I've heard the tunes over the years. You can't escape them. And I have lots of Miles Davis albums. ESP is my favorite. Jack Johnson. Various Prestige sides, which I bought as cutouts when I was a teenager. I never managed to buy Kind of Blue, somehow, and I've never sat down and listened to the album. Hey, nobody's heard everything.

...

INTERVIEWS

Chano Dominguez: Piano with 'Duende'

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The meeting between Chano Domínguez and All About Jazz took place hours after the opening ceremony of the 41st Barcelona International Vol-Damm Jazz Festival, starring Wayne Shorter. Chano's enthusiasm is contagious: “Wayne Shorter's quartet is a fully fledged group with very clear objectives and led by one of the greatest living jazz legends," says Chano, who even though he was completing his next record with his flamenco quartet, did not miss the chimerical evening featuring the saxophonist, pianist Danilo Pérez, bassist John Patitucci and drummer Brian Blade.

“Wayne Shorter has absolute control over the music," says ...

EXTENDED ANALYSIS

Martirio & Chano Dominguez: Acoplados

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Martirio & Chano Dominguez Acoplados Sunnyside Records 2006

Self-professed “fusions" of various musical forms in jazz are routinely and often justifiably treated with suspicion by critics and fans. The formulas employed for these events can be either fruitful and satisfying, or a recipe for utter pretentious disaster. Fortunately, Acoplados falls into the former category, with the unlikely but fascinating placement of traditional Spanish music within a brassy, swinging context.Spanish vocalist and actress Martirio, who has been no stranger to mixing musical styles over the course of her 25-year career, is joined by ...

CD/LP/TRACK REVIEW

Chano Dominguez Trio: Con Alma

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This is a rather different Chano from the one who first enthralled me with Hecho a Mano (Hand-made), his blazing flamenco/jazz mix recorded in Madrid in 1996 and released on Sunnyside a few years ago. On Con Alma he's replaced the handclaps and multilayered percussion with a traditional jazz trio, bringing on world-class band mates George Mraz and Jeff Ballard. But his roots are still very much in evidence from the first track, a dynamic take on a traditional song--my dictionary tells me “La Tatara" means “sound of a trumpet as a signal for action." There's no trumpet here, but ...

CD/LP/TRACK REVIEW

Chano Dominguez: Hecho a Mano

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The cross-pollination of Latin music and jazz has been going on for decades. Typically, a jazz group will borrow Latin grooves and instrumentation, while Latin players apply their rhythms and harmonies to the American standards songbook. It's usually a rather self-conscious blending in which the genre lines are still obvious; only a few musicians have managed to make the mix organic (Chick Corea, Michel Camilo, and Al DiMeola's The Grande Passion CD come to mind).

Now we have Chano Dominguez, a fine pianist from Cadiz, Spain, who weaves jazz with a flamenco approach. Hecho a Mano (aka Handmade) ...



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