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Joan Torres's All Is Fused: The Beginning

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Joan Torres's All Is Fused lives up to its name, delivering music that's a melting pot of styles and sonic strains. Torres--a Dominican Republic-born, Puerto Rico-based bassist with a fondness for modern jazz, rock, fusion, and Latin strains--pens electric and occasionally episodic narratives that burn, bemuse, and burrow their way into the mind. The Beginning is something of a misnomer, as it's actually the second album from this outfit: Before (Self Produced, 2012) came before it, introducing ...


Atomic: Lucidity

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Living up to their name in performance and on record, the all-star Norwegian quintet Atomic challenges preconceived notions regarding the stereotypically introspective nature of Nordic jazz. Inspired by the unbridled spirit of 1960s American “Fire Music" and the post-war school of European free improvisation, Atomic eclipses the meditative lyricism of influential local legends like Jan Garbarek and Terje Rypdal, exemplifying the broad stylistic diversity of contemporary Scandinavian jazz.Formed in 2000, the original lineup brought together trumpeter Magnus Broo ...


Errol Rackipov Group: Pictures from a Train Window

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Composer and educator Errol Rackipov--who currently teaches at several South Florida Universities including Florida International University, Florida Memorial and Broward College--is a master of the vibraphone and marimba where as the leader on Pictures from a Train Window, ably displays his talents in providing a distinct modern/fusion sound where jazz is but one element in a palette of classical chamber and European folk rhythms. As the vibraphonist himself explains, this album is the culmination of a “journey started ...


Jenny Soonjin Kim: Kozeluch Complete Keyboard Sonatas, Volume 1

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Let's not hear it for Bach, Haydn, Mozart, and Beethoven. Those perennial blowhards get all of the attention. Rather, let's hear it for their lesser-known contemporaries. These are composers who, today, get little light standing in the shadows of the aforementioned classical giants. It is the beauty of digital music and the Naxos brand of musical marketing that we have recorded performances of these less storied composers. Because, let's face it. One can only become so familiar with a given ...


Michael Eaton: Individuation

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On his debut album as a leader, saxophonist Michael Eaton presents a collection of original material featuring a rotating group of jny: New York City based musicians including Jon Crowley on Trumpet, David Liebman on Saxophone, Brad Whiteley on piano, bassists Daniel Ori and Scott Colberg, and Shareef Taher on drums. Exhibiting his artistic and personal development while ambitiously bridging the worlds of lyrical themes, Eaton intricately combines rhythmic minimalistic vamps, free-bop, Cageian prepared piano, and multi-layered open ...


Bebop, Swing, and Bella Musica: Jazz and the Italian American Experience

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The following is an excerpt from the “Lennie Tristano: The Passionate Intellectual" chapter of Bebop, Swing, and Bella Musica: Jazz and the Italian American Experience by Bill Dal Cerro and David Anthony Witter (Bella Musica Publishing, 2015). World War II and the atomic bomb changed not only the political landscape, but art, architecture and music as well. In architecture, “Googie" or “Ray-Gun Gothic" combined many of the traditional elements introduced by Frank Lloyd Wright almost forty years ...


Bill Evans: Sublime Sideman

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We already know what a tremendous voice Bill Evans has had in jazz history, and most of the major jazz pianists that he has influenced. Most jazz aficionados know most of the tunes Evans has composed and most of the tunes that were in his ever-changing repertoire. But, a subject that hardly gets enough attention concerning Evans are his superlative skills as a consummate sideman. What we're discussing are two totally separate categories. It takes a certain kind of mentality ...


Live From Birmingham: Alabama 3, Craobh Rua, Fanfare Ciocărlia & Wrangler

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Alabama 3 The Robin March 18, 2015 Herald the hedonism! An Alabama 3 gig typically presents a rolling rock'n'roll party vibration, but adopts electronic practices, as well as being saturated in rootsy juices. Delta blues, dub, country, soul, gospel, hip hop and house are all pulped up in this anarchic collective's bloody sack of styles, and slung full-face into the assembled audience, who also appear to be drawn from a bewildering variety of ...


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