Gary Burton/Makoto Ozone: Virtuosi

The approach of Virtuosi is to keep the original form and feel in mind while arranging these pieces for theme and improvisation by vibes-piano duet—take liberties in the interest of self expression. There is no attempt to reduce anything to a song or “swing the classics.”

Makoto Ozone, Burton's longtime partner, is equally responsible for the success of this project both as arranger and pianist. (Jay Kennedy also contributed four arrangements.) Ozone contributed most on the Gershwin pieces: he gives the “Prelude” a gospel feel; on the “Concerto” Ozone and Burton sometimes accompany each other (They take turns as the orchestra.), sometimes share the lead, and sometimes solo simultaneously. The Confrey piece features some elegant stride piano that sounds fine in context. “Something Borrowed, Something Blue,” a lovely waltz by Ozone, recalls the introverted side of Bill Evans.

The Scarlatti piece sounds suspiciously like an exercise—Burton gives it a send-up with some Latin rhythms. Barber is not often interpreted by jazz musicians. Burton demonstrates that this swirling “Excursion” is very adaptable. It is the most satisfying piece on the CD.

That this music does not sound difficult or technical is due to the abilities of the players. Close listening to pieces like the Rachmaninoff “Prelude” gives the listener a clue to the enormous musicianship necessary to bring off music at this level. Burton and Ozone are “Virtuosi”, but they are more—they are premier artists who bring passion and individuality to their music.

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